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PERCUSSION
After years of going to live jazzI’ve honed my skills to a fine level.I still know next to nothingabout the intricacies of the music,five years of classical piano andI barely understand Bach and Mozart. But I know where to look, whobears watching in the combo,and it isn’t the trumpeter, hewith his ballooning cheeks, someclownish bellows,…
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CHARLAP
Bill places his fingers on the keyboard, nods to the drummer and bassist. God waves his hands, demands heavenly silence and unsurprisingly to you, no one argues the point. Even Evans, sitting at God’s feet, smiles and says “it’s so nice to know our legacy is safe,” and turning to Blakey, adds “Ain’t that so…
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QUARTET
An evening summer retreating in the face of autumn, two garnacha, a piano, bass, drums, her voice lifts the weight of the sky and we float up on a melody, unchained. In heaven George and Ira smile and we, here, smile with them.
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THE TRIO
The big man caresses the bass and the strings pour out caramel and cocoa. Ulysses strokes the skins which sing the melody and mind the rhythm. The keys of the Steinway whisper to him play me, play me and even the 89th key finally joins in the song.
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GALLERY (IN) CONCERT
Kandinsky, Braque, Matisse and Degas all stand patiently in the hall wondering if anyone, this night, will notice them as they always seem to do, while Motherwell and Pollack lurk around the corner, feigning indifference, dreading being ignored. The sound check is long ago complete and the three men sit in the cafe lost in…
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EUTERPEAN EVENING
An evening: spring retreating in the face of summer, two garnacha, a piano, standup bass, drums, her voice lifts the weight of the sky and we float up on a melody, unchained. In heaven George and Ira smile and we, here, smile with them.