KEMBO’S TRANSMIGRATION 鐵笛倒吹 六十七

Awakening in the morning
when you first see the sun
and the dew resting on the leaf
which eye are you using.
When you stare into the mirror
through what eye do you see,
and what eyes stare back at you.

When you see the deer
lying in the road
which eye do you use.
In a nightmare, when you slip
into the deeper, darker world,
what eye is used then.
When you fade into death
what eye sees your departure.
Think carefully on this
for only one eye can see
the answer lying within.


A reflection on case 67 of the Iron Flute Koans

DEPARTING

We now live in a strange world where nothing is as it was mere weeks ago. I am blessed to live on a small nature preserve and have been spending my afternoons with camera in hand. So if you want something other than words (which follow) you are welcome to visit https://www.flickr.com/photos/98342503@N00/, my Flickr site, which is updated daily. A sample of what you will find:

 

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and now:

 

DEPARTURE

It seems odd how often
our fathers depart suddenly, our mothers
make a slower retreat, slipping away while
always still present, a death
by 1000 days, the cuts inflicted
on our psyche, small wounds
that never fully heal, but fade, so the scars
are only seen and felt from the inside.
My parents never did things as expected,
so my mother complained bitterly
of the small difficulties of life,
until the morning she suddenly departed,
at the stroke of 6:15 while
my father lingers, still happy
in ever shortening increments, both
of us knowing he is fading away
and I may never know he has departed
after he is gone.

ELEGY FOR A POET

(for Allen Ginsburg)
You died quietly in your bed
friends gathered around
the cars and buses of the city
clattering out a Kaddish
to a God you had long ago
dismissed as irrelevant.
We would have expected
your to howl, to decry
the unfairness of it all,
but you merely said
it is time, and slipped away.
Who gave you the right
to depart without leaving us
one last remonstration
against the insanity
that surrounds us, one last
censure of the fools
who we have so blindly chosen
to lead a generation
into a hell of our creation.
You had your peace
but what of us
left behind, what can we
look forward to
in your absence
save the words we know
so well, can recite by heart
that no longer beats
in your breast.


First appeared in Living Poets Vol. 2, No. 1, (U.K) 2001 and reprinted in Legal Studies Forum vol .30, Nos 1-2,  2006

LEAVING

The trees seem to know
that we are leaving,
why else would they
shed their leaves
so early, the only tears
they are allowed to cry.
It cannot be a blight,
or so we think it,
just our departure
that has caused
this premature pining
for a winter we all know
will arrive too soon
any arrival being that.
We rake them gently,
lift them into bags
positioned under
their once homes,
waiting for the truck
to move our lives,
anther to take them away.

IN TRANSIT

We have decided to skip the viewing
to say our farewells in thought
without needing to see her face
frozen in the morticians best attempt
at placidity, erasing the anger, the fear,
the frustration, the pain that made
leaving easier for her than remaining.
We will say the prayers, most of them,
she with fervent hope that they are heard,
I as a member of the chorus.
Some will invoke both the father and son
and spirits will be moved,
and I will reflect, will listen politely
and hope the universe is receptive
to one who is now in transit.

ADIEU, SOL

The sun is preparing
still another departure.
He moves with a ponderousness
that you wouldn’t expect of him,
he who should be all passion
consuming the sky, painting clouds.
We expect his return by morning,
he has never yet disappointed
but Luna, lingering at the horizon,
a diva making her slow entry,
shines fully as if saying
tonight you won’t miss him —
the day may be short, but I
will make the long night bright
and mine is one you need
not look away from.