LIVES

I have lived many lives,
too many to count, and I
remember bits and pieces
of each, but not necessarily
to which life this bit
or that bit should attach.

It is why I run them
together, view them
as a singularity, easier
to cope even when I
know it is a nice delusion.

I do wonder, at the moment
of death if each life will
flash by in turn, countless
short films, or if the gods
will go along with my
delusion, or maybe just
say time’s up, lights off.

SEKISO’S NOTHING IS CONCEALED 正法眼蔵 語十八

When you look in the mirror
are you real, is your reflection real?
Be careful what you say,
for if I look into that mirror
and see you, is the you I see
anything other than real?
When you go through the gate
you say “I am exiting”.
When I follow you through the gate
I say “I am entering”.
Are we both liars?


A Reflection on case 58 of the Shobogenzo (True Dharma Eye)

COSHAN’S DHARMAKAYA

He spends considerable time
looking in the mirror
trying hard to see what is there,
to see inside himself, to truly
see himself as he imagines others see him.
The mirror denies him a static image,
it is always shifting, and try
though he might to grasp one single image
he finds it impossible and always
gives up in frustration. Still
he tries again the next day,
and the next after that, never
attaining his desired objective.
Ask yourself, what is his failure?
If he would become the mirror,
then, and only then, he might see himself,
rather than a mere image on glass.


A reflection on case 125 of the Shobogenzo (True Dharma Eye)

SILENCE

She only wants to know
what lies deep within silence.
He says he imagines it
is a place he can never visit
locked away from humans,
whose minds deny the quiet.
She says she is willing
to continue the search,
for even if she cannot find it,
she may find something like it,
and that respite would
be sufficient for her.
He says he fears silence,
for the loss of all
of his delusions would be
far too much for him to bear.

SCENE 1 (ACT 0)

First you should draw the scene
with as much detail as possible,
using the full palette of colors
and adding depth and dimension.
Next you should write the scene,
again with detail, color, depth,
for words are capable of all of this.
Now compare the scenes, are they
the same, and if not, how do they differ.
Now close your eyes and envision
the same scene again, noting
whatever you can, listening
to your mind’s description,
as you gaze through your mind’s eye.
Pause and consider that none of these
are real, each is an illusion
you have created, and then know
that you, too, like I,
am illusory as well.

PRESENCE

He appeared rather suddenly,
and didn’t seem to stay very long.
Some claimed they knew he was coming,
most never saw him arrive,
although some said they saw him clearly,
that he visited frequently, that
they knew his presence unquestionably
and spoke to him at some length.
She knew there was much wishful thinking
and a dearth of reality, but she
had come to accept that they got
what they seemed so badly to need
at no cost to her or any others.
But her daughter, seeing all this,
could only laugh, for though she might
be young, she knew he didn’t appear,
he was always there, they just wouldn’t
close their eyes and see
what every child did.