SHARING

It wasn’t exactly what you wanted, but
you probably wouldn’t have been all that upset.
It was all about you, but not for you, that
comes later, and we know you’ll be pleased.
This one was for some of us who needed this
to be able to keep going, to keep from looking
only back, into the darkness that is our shadow.
He said it was a celebration, and it was that,
and we put on our best faces, hid our tears
as best we could, and as we stood in the cold air
in the cemetery, we only wished it over,
and when the sun appeared suddenly, we knew
you wished that as well, but in your case,
it was more likely that you wanted us working
on the party we will soon throw for you
and that one, too will be for us, but
among the things we miss you for,
was your willingness, you desire to share.

ANYWHERE BUT

I was twelve at the time, would have
chosen to be anywhere but there.
I hated visiting her at home, but this
took my disgust to a whole new level.
We were never close, never would be,
she so old, so old world, so unlike
anyone I had known, so like the women
sitting outside the old hotels on South Beach
waiting for a wave or death, whichever
first flowed in, life having long ebbed.
The room as I remember it was barren,
bleached to a lack of any color,
the bed a white frame, white sheets,
a small white indentation staring
up at the ceiling, up at heaven,
and everywhere what I imagined
were steel bars through which we
and the doctors and nurses could pass,
but which held her tightly within,
serving out what remained
of her ever shortening life sentence.

HAIL AND FAREWELL

On very dreary days
I like to drive through the cemetery
meandering among the stones
until I find a freshly dug grave.
I stop, under the vigilant eye
of the caretaker and carefully place
a cassette of Dvorak’s Slavonic Dances
or Smetana’s Die Moldau into the player.
As the melodies spill forth
I hope they lift the spirit
of the resting, bringing them a moment
of unabashed joy, a memory to carry
into an eternity, a lingering riff, sweet
as the juice of the strawberry trickling
down the chin, a chocolate
slowly melting on the tongue.
Night will come soon enough
bringing a darkness in which they can see
their dreams take form
and seep away to mingle in the void.

First appeared in Aura Literary Arts Review Vol. 26, No. 1 (2000) and reprinted in Legal Studies Forum, Vol 30, Nos. 1-2 (2006)

RIDING THE WASTELAND

We set out with bold ambition,
egos saddled and reined
across a landscape left barren
by our leaders who saw
only carefully stacked boards
and beams awaiting the master
carpenter, great floral sprays
dotting the lobbies of glass
and chrome edifices, created
in their own images.
We ride in search of
the promised land, and turn
a deaf ear to the windwalkers,
to the spirits of the children
sitting in the packed dirt streets
their bellies distended, crying
out for food, for justice
as the warlords sit in their cars
surveying the invisible parapets
of their armed fortresses.
We look quickly away
from the chindi of the young men
who rise from the neatly heaped soil
of the common burial mound, who
rise up in neat array and perch
on the edge of the freshly dug pit
waiting for the rat-a-tat rain
of death they know await them
unrepentant, unwilling to curse
Allah, bidding farewell to Tuzla.
We pause to chant the blessing way
but we have forgotten the words,
Arbeit Macht Frei, the gates
reduced to rust, the chimneys
no longer belching the sweet
smell of death into the winter morning.
We ride on oblivious to the faint glow
from the craters we have torn
into the earth, of the clouds
that only vaguely recall
the mushrooms of our progress.
We ride toward the horizon
where the great pillars of gold
and silver rise up, glinting in the sun
that once warmed them before
we cast them out into the desert
of our lust and craving.
We set out with bold ambition
but our horses have grown tired,
our canteens are empty
and the inferno threatens
to consume us.


First Appeared in Alchemy, Issue 2, Fall-Winter 1999.

THE RUNES

Here, in these unmown fields
where the morning mists gather
once stood the ancient chieftain
his clan assembled about him
staring into the distant trees
under the watchful eye of the gods.
As the October winds blew down
from the hills, they strode forward
blades glinting in the midday sun
ebbing and flowing until the moon
stood poised for its nightly trek
and they stood on the precipice
of exhaustion counting fall brethren
sacrificed to the blade of the claymore
for glory of clan and entertainment of gods.

On these tired fields no chieftains stride
and the mists no longer wrap the boulders
left to mark nameless graves of kin.
These are now ill sown fields, lying
in the wasteland between chiefs who sit
in silent bunkers, clansmen gathered
to retell the tales of glory long vanished, to come.
In these fields they till the begrudging soil
and beg the gods for meager growth.
As the moon begins its slow journey skyward
they pause to count the craters torn
into the rocky soil, and gather the bones
of those newly fallen, sacrificed to the wrath
of the claymores, the entertainment of the gods.


First Appeared in Main Street Rag, Vol. 7, No. 1, Spring 2000.

DEMENTIA

He can remember it as though it was just yesterday. Actually it was just yesterday, but for him that had little to do with memory. Bits of his childhood would come flooding back: the city, the cousins who took him in for the few dollars his mother could offer. But his grandsons are a vague shadow, sometimes present, sometimes faded into the background. He ex-wife is ever present, and he clings to her, despite her death, wondering if they will get back together. I don’t want to tell him that his wish will require a firm belief by them both in a hereafter, and that neither of them was very good at directions in any event, so who knows where they will end up.


For Something Different, a new bird photo each day, visit my other blog:
Bird-of-the-day.com 

SCRIVEN

“You know,” she said with a smile,
“that you are going straight
to the infernal regions when this
is over and done with, no doubt.”
“I can’t imagine,” he replied, “that
He who is all knowing and all powerful
would ever let that happen to me.”
“Be serious,” she added, “you know that
the nether world is replete
with scriveners of doggerel, it is
their natural home when they are done here.”
“But I’m a mere bard, a weaver of tales,”
he cried, “nothing more, nothing less.”
“Ah, yes,” she smirked, “but the road
to everlasting fire is paved
with cliches and euphemisms.”


For Something Different, a new bird photo each day, visit my other blog:
Bird-of-the-day.com 

CALLER

It’s Sunday, so I know, before long
I will have the nagging thought
that I should call my mother.
I’ve had this thought for years,
once acted upon it with regularity,
listened patiently for her weekly
list of things I needed to help her with,
since I never visited to do the work
with her standing over my shoulder.
I stopped the calls four years ago
because the dead make few demands,
and she didn’t bother to answer
except in the darkest hour
of my dreams.

ON MORTALITY

Death was never something we considered,
until that certain, ill-defined moment when
our immortality suddenly disappeared, and
in its place was a reality to be avoided.

Even once death became a shadow, always
lurking around us, we kept our face
toward the sun, so that death might
not be seen in the bright light of day.

When a sibling dies, it is always before
their time, before we are ready and
the death is anomalous, and one we grieve,
but as a cruel twist of fate not to be repeated.

Later death becomes a companion,
infrequent we hope, but ever present, and
all that is left for us is to consider which
is the less painful, the sudden departure
without warning or farewell, just gone,

or the slow erosion, a death mourned
during its process, a death of a thousand
goodbyes, until the last, and in the end
it becomes a distinction with no difference.


For Something Different, a new bird photo each day, visit my other blog:
Bird-of-the-day.com 

A SUDDEN DEPARTURE

You sneaked away one night.
You were there, but while
sleep claimed me, you were gone
without notice or warning.
Where should I look for you?
In these barren hills
where the spirits of the first nations
roam, looking for their ancestral land?

Where should I look for you?
Wandering these verdant fields
where a hundred generations
have been sacrificed
to the will of power mad men
who know no satisfaction?

Where should I look for you?
In these filth ridden streets
and narrow alleys where
the rats scamper in search
of a meal, where a child
at play would be a fine repast?

Where should I look for you?
Across these wind blown sands
where brother has hunted brother
for three generations, each
laying God’s claim
to the birthright of the other
while wives and mothers
wail in mourning?


First published in The Right to Depart, Plainview Press (2008)