AT THE CAFE

We sit across
from each other
separated by
the small table
that teeters,
her cappuccino
licking at the rim.
My toes dance
against hers
and she looks up
quizzically.
I smile and reach
for her hand
touching her fingers
feeling the fine silver
of the rings on each.
She pulls her hand
back and looks
into the rich
brown sheen.
I stare out the window
at the odd car
looking
for a space
in the overfull lot,
then pulling
back onto
the road.
As my mocha latte
slowly cools
I feel her ankle
slide along
my calf.
She stares
at the ceiling fan
just stretching
she says
and I smile.

First appeared in Flora Fiction, Vol. 3, Issue 4, Winter 2022
https://florafiction.com/literary-magazine/volume-4/

AT FIRST

The first time
I heard it
I knew
that voice
came from a place
I had never visited,
would never
be able to go.

It penetrated me
reverberated
within me
a harmonic
that shook
me to my core.

She reached
and grasped
what I thought
I had kept hidden,
and as I danced
with my
new bride,
I knew Etta
had led me
to love
At Last.

APPROACHING NIGHT

Arising into night
the departing sun
tangos away with its cloud,
memories soon forgotten.

Other dancers take the stage,
now a romance, now
a war dance, feathers raised
in prayer to unseen gods.

Night will soon bring
its curtain across this stage,
the avian casts’ final bows taken
the theater will darken, awaiting
another performance,
a new script tomorrow,
but for this solitary moment
of frozen grace, it is we
who write the conversation,
our lines sung by actors who
know only nature’s
unrelenting song.

First Published in Half Hour to Kill, August 2022
https://halfhourtokill.com/home/approaching-night-by-louis-faber

ONLY ONE LEFT FOOT AFTER ALL

We took private dance lessons,
she already versed in the dance,
a natural grace and flow, and I
moving with seemingly fused hips,
unsteady, bordering on clumsy.

As we went on, it began to come
to me, never graceful, but no longer
embarassing to myself nor her,
and the teacher said I could be
a natural, a kind and gentle lie.

At our wedding we glided around
the floor, a slower Eastern swing,
and when the song ended, I smiled
knowing that I had found the one

FORGOTTEN SOULS

From the heart of the inferno
Dante and Lucifer grow bored
waiting, waiting for the ferry
while Charon stops for lunch
yet again at a Greek diner
in the heart of Hell’s Kitchen.
They take up a game of catch
tossing Molotov cocktails,
raining fire onto the brimstone,
setting the Styx ablaze.
Each knows this is not necessary,
for necessity is a creature
of heaven and there is no room
for the extraneous here
in the realm of forgotten souls.
We watch from deep within
a nightmare of our darkest
memories, certain that heaven
must await us, or purgatory
if that is how our fate
is to finally be written.
The angels dance on the ceiling
waiting for the precise moment
to break Morpheus’ grasp
and drag us back to our reality,
to continue our dance
between heaven and hell.

First published in Fresh Words Magazine, Vol. 2, No. 3, June 2022
https://drive.google.com/file/d/1G9eVgBt1ZS1syN9RruNQLzt7-JVq04sY/view

BASO’S WHITE AND BLACK

I know you have
a single question for which
an answer will enlighten you.
Neither Baso, Chizo nor Kai
are here so you are asking me.

The answer is simple:
cover your ears tightly
and listen while I speak
with closed mouth,
watch my feet dance
in joy as they do not move.
If the answer is not apparent,
ask Chizo, Baso and Kai
to speak from beyond the grave.

A reflection on case 6 of the Book of Equanimity Koans

ALIVE IN THE NIGHT

I walked the city
in the heart of the night,
street lights casting the shadows
of ghosts of those long gone
to bed, unknowing
that the city has been
given over to ravening winds
that find no shelter.

I step into an alcove
and the fading light
of the flickering bulb overhead
urges me to move on
lest she bury me
in the darkness of her grave.

By day, this will all
be gone into hiding,
finding shelter we cannot see
and we forget that
when night again returns
the ghosts will dance
wildly in these streets.

Tozan’s Sixty Blows 無門關 十語

When you arrive
only questions, each
a finely honed blade.

Will you parry and dance
avoiding the wounding tip
and perhaps taste the sword

or risk all and counter-
thrust, attack from
ten directions
and willingly receive
sixty blows from the stick
standing in one place.

A reflection on Case 15 of the Mumonkan (Gateless Gate) Koans

CONVERSATION

Arising into night
the departing sun
tangoes away with its cloud,
memories soon forgotten.
Other dancers take the stage,
now a romance, now
a war dance, feathers raised
in prayer to unseen gods.
Night will soon bring
its curtain across this stage,
the avian cast’s final bows taken
the theatre will darken, awaiting
another performance,
a new script tomorrow,
but for this solitary moment
of frozen grace, it is we
who write the conversation,
our lines sung by actors who
know only nature’s
unrelenting song.

TOSU’S HARMONIZING TEN BODIES 正法眼蔵 三十語

Standing in the ordinary
stare out across
the great gulf searching
for that which is sacred.
It seems to dance
just beyond the edge of vision.
Close your eyes and lift
your right foot,
place it down.
How does it feel
to stand amid
all that is sacred.

A reflection on Case 39 of the Shobogenzo (Dogen’s True Dharma Eye)