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PUEBLO CHRISTMAS
The night is that bitter coldthat slices easily throughnylon and Polartec, makeschild’s play of fleece and denim.The small rooms glowin the dim radiance of propane lightsand heaters as the silveris carefully packed awayin plastic tool boxes.The pinyon wood is neatly stackedin forty pyres, some little tallerthan the white childrenclinging to their parents’ legs,some reaching twenty-five…
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AND TONIGHT
This should be Paris, he thought,dancing alone in the Tuileries, orEngland, looking down on the Thamesperched atop the London Eye.This was how he imagined it, nottrapped in the madding crowd, everyonefrantically multitasking, searchingfor nirvana or a release from boredom,from the quest for monetary meaningthat had trapped them in a maze withno exit or end point,…
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WE ARE SORRY, BUT
I will take it,the aging poet saidto the ever more sparsecrowd at the weeklyopen mic,as a recognitionis the growthin the qualityof my writingthat I continuebeing rejectedbut now by amuch higherquality ofliterary journals.
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LIONEL HAMPTON AND THE GOLDEN MEN OF JAZZ
Blue Note, pardonour constructionblack paintedplasterboarda hangingair conditioning duct. Grady Tatesneering at the skinsgrowling at a high hathands shiftingdeftly reaching inpicking a beatand sliding itover the crowd. Jimmy Woodeblind to the lightsslides his fingersover stringsand talks to the bassresting on his shoulder.It sings backbegging , pleadingdemanding as his headsways with an inner vision. Junior Mancesways slowly…
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YEARBOOK REFLECTION
Knowing that mybiological parents’pictures were somewherein the yearbooksI had before meI thought that Iwould search withoutlooking at the names. No one lookedat all like the meI see in the mirrornor the me I amshocked to seein my own yearbook. Yet finding themby name I quicklyrealized that Iwas their amalgama face neitherwould have recognizedno matter howsmall…
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WISHFUL
“I will take it,”the aging poet saidto the ever more sparsecrowd at the weeklyopen mic,“as a recognitionis the growthin the qualityof my writingthat I continuebeing rejectedbut now by amuch higherquality ofliterary journals.”
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DAYS LIKE THIS
Then there are the dayswhen I play the buffoon,the juggler whose ballscome crashing to the floorbringing tears to the crowdof joy or sorrow, I cannothope to tell, for this dayI can only flail about,the circus clown, and youhad best keep your distancelest I break you as well.
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FESTIVAL
They ebb and flow like tides down the half-empty street from venue to venue, many with that lost look of years in the desert, driven on by promised the land of honey notes, the mother’s milk of jazz. The event passes flap in the breeze created by their wake, some checking programs, their personal map…
