WITH A CAUSE

She says if you could only
peel back the photograph, you could
read the entire story that lies beneath.
It is deeper than the image below which
it lies trapped, and wider, imbued with a meaning
the image could not capture, just as,
she says frowning, there are no words
for parts of the picture, a symbiosis
that we of unitary senses cannot unite.
This one, pointing to a crucifix, shows him
where he ought to be, the pain, his pain
apparent, but so much deeper than
any image or sculptor’s hand can fashion.
Undeserved pain, not by sacrileges, by rebellion
but he would understand it, he would
revel in it, for he was the greatest rebel
and he would easily peel back the picture
in step wholly into the story beneath.

AND CHARITY

Faith, or is it hope, seems
directly proportional to the need
we have to believe in what
some would call a miracle.
In Hebrew the word for charity
can also be translated justice.
Faith, he says, is hope
with a Godly intervention
for hopes can easily go
unfulfilled, but faith lingers,
and isn’t given up willingly,
for even when hope is gone,
faith in a miracle remains
for those most in need.
No one seeks charity,
everyone seeks justice,
and most hope and
have faith that there is
in the final analysis
no real distinction.

KNOT WHAT YOU THINK

“Trying to explain the Old Testament is like trying to untie a series of Gordian Knots.” He said that often, and few argued with him. Whether they did not argue because they agreed, or simply wanted to avoid his unwillingness to cease pushing until the other or others conceded whatever point he was making hardly mattered. He knew nothing about the New Testament. He wasn’t even sure to what it was a Testament, though he could say that of the Old as well. It was just that one set of Gordian knots was enough, unless and until he could find his philosophical scissors, and God only knew where they had gone.

MEMORIAL

This woman approaches
the stone, carefully places
sake and cherry blossoms
and leans a sotoba against it,
before bowing and walking away.
It is what you do for a son,
she says, looking at the bibbed Jizo
hoping she can protect
the child who lies beneath.

That woman approaches
the headstone,
gently places the flowers
and leans a prayer card
against its polished surface,
kneels briefly, looking up
at the statue of the Son
who also died for our sins,
begs him to protect.
the child who lies beneath.