THE WATCHER

He stands transfixed
on the bridge,
arms outstretched,
staring at the river
always flowing slowly by below.
He wears a garland of gold,
an inscription in Hebrew,
the holiest of holies,
mocking those
who hold him a man.
Did he peer out
of the corner of his eyes
as they marched them
across the bridge
to the trains
to the camps
from which they
would never return,
never have headstones
in small, ghetto cemeteries,
would be merely names
on a wall of remembrance?
What did he want to say,
what would they not hear,
for surely
he must have known,
in the way a son
knows so much more
than a father imagines.
They are gone,
he remains, forced
to be ever silent,
and the river flows
under the bridge
beneath his ever constant,
mournful gaze.

MEMORIAL

This woman approaches
the stone, carefully places
sake and cherry blossoms
and leans a sotoba against it,
before bowing and walking away.
It is what you do for a son,
she says, looking at the bibbed Jizo
hoping she can protect
the child who lies beneath.

That woman approaches
the headstone,
gently places the flowers
and leans a prayer card
against its polished surface,
kneels briefly, looking up
at the statue of the Son
who also died for our sins,
begs him to protect.
the child who lies beneath.