THE ROOM

It was a strange room,
that much I recall, with heavy
velvet curtains covering
what should have been a window, 
and might once have been, but no longer. 

The only light was a bare bulb
in the ceiling, casting 
a soft amber wash across 
the time worn oak floor,
and once white walls.

There was a chair, nondescript
and now long forgotten
and a small metal table, once
gray its paint flaking, its surface
mottled and uneven.

Still, I sat in that room
for an hour each day, staring
at the walls, and looking deeply
within, and finding both empty,
have never returned there.

SIPPING

I spent much of the afternoon trying
to imagine you, spending a small part
of an afternoon reading this poem.

I have no clear picture of where you are,
but the chair is well cushioned, and
you sit deeply in it, a glass of some

amber liquid on the glass and metal
end table, just within arm’s reach.
I suppose, since it is early afternoon,

it is iced tea, bit I wish it were a fine
IPA or better still a fine single malt,
though that much would give my poem

a meaning I never imagined, but
that might be an improvement, and
I think I’ll stop here and join you.

OCCLUSION

After the stroke
he couldn’t remember
much, was the woman

in white who bathed him
his wife or someone
he slept with once

before he had gotten
married. Monogamy
was a word that he

remembered, though not
its meaning, or why he
had sworn to abide it.

When the aide brought
in the flowers, they smelled
familiar, like the odor

of capon slowly boiling
on the Sabbath stove.
He heard the concerto

small radio tinny, but it
sounded strange, gut
of cat sawed across strings

crying out against
the injustice of it all
and the chair against

the window, was it one
he sat on at the edge
of the stage, bowing

to the audience as
Mozart’s crescendo
still echoed in his ears.


First appeared in the May 2019 Issue of The Broadkill Review