ODE TO THE HOUSE CAT

I have concluded that God created the cat
in a moment of exhaustion or of extreme pique.
How else to explain such a soft fur covered creature
capable at once of a gentle caress and a claw
lunging out at a hand or face deemed too close.
Why else this projectile constantly launched
only at those places it was not to be,
fine wood tables etched with reminders
of its sudden presence and rapid departure.
What else to explain this shedding ball
of multihued fur that always curls in sleep
in the one place you wish to sit
and even when it cedes a seat to you, smirks
in the realization you will soon
an unexpectedly be half covered in fur.
Why this package of fluff and terror crawls
beneath your blanket as you verge on sleep
curls tightly against you and begins its gentle
rhythmic purring that draws you deeply
into a world of fur filled dreams.

First Published in ZOOANTHOLOGY, Sweetycat Press, August 2022

LIONEL HAMPTON AND THE GOLDEN MEN OF JAZZ

Blue Note, pardon
our construction
black painted
plasterboard
a hanging
air conditioning duct.

Grady Tate
sneering at the skins
growling at a high hat
hands shifting
deftly reaching in
picking a beat
and sliding it
over the crowd.

Jimmy Woode
blind to the lights
slides his fingers
over strings
and talks to the bass
resting on his shoulder.
It sings back
begging , pleading
demanding as his head
sways with an inner vision.

Junior Mance
sways slowly fingers
tentative on ivory plates
crawling through the alley
scurrying for cover
and strutting down Broadway
ablaze in neon
dancing through Harlem
and sliding into the East River.

Pete Candoli
white against the night
smiles as his horn
cries out, a siren
piercing the dark
reaching up grabbing
your throat, throttling
then caressing your face
until you fall
into your seat, spent.

Harry “Sweets” Edison
wrinkled jowls suck in
the city, smooth ebony balloon
shouting from balconies
to revelers below
and mourning a love,
crying in the streets
dashing out of a basement
flat, a child crying
mother screaming in birth
a young man
groaning in orgasm.

Benny Golson
hair tied back
swaying, runs up the stairs
pauses, and leaps out
into the air
and flies off
laughing at the city
huddled below
its collar turned
against the wind
off the river.

Frank Foster
sits on the stool
and strokes
his sax, coaxing it
peering out around
a corner, slipping inside
then running down the street
dancing between taxis,
then striding down
Bourbon Street
the pall bearers
strutting behind.

Al Grey, stands
arm waving, a manic
conductor, it whispers
beckoning, then hums
droning, then slowly
it moves the fan
giving a glimpse
dragging the boa
drawing all eyes
as she passes into the wings
sticking her head out
smiling at the cheers.

Hampton leans
on the vibraphone
seeking balance,
and old man bent
from age, lost amid children.
Mallets slowly rise and fall
gaining speed
rushing out
glissando of sound
his hands flashing
the crowd rises
and there comes
silence.

First Appeared in Pointed Circle, Issue 15, 1999.

IN ALL THE WRONG PLACES

It is all well and good to believe
that you will know it when you find it,
that it will be so obvious you could not miss it.

You’ve been down that road before,
and on several occasions were certain
that you’d found it in her face, or hers,
in her smile, or her laugh, or one
of their soft touches and caresses.

You were wrong each time, a facsimile
at best, an avatar if you wish, so you
are determined to be prepared this time,
for there must be a this time you are certain.

You have read all the best books, consulted
on the internet, careful to sort the wheat
from the chaff, skimmed the cream of the offerings,
and have practiced reading the tea leaves.

You dare not miss it so you maintain a high
level of vigilance and a focus that is not
easily interrupted, ready to spring,
but know that it defies logic, that the mind
is useless in its presence, and that it is
the heart not the head that feels true love.

HARMONY

A young woman steps
from the shower and wraps
herself in a large blue towel.
“I don’t want you to see me,”
she says, to the young man
standing in the door of the small
bathroom, “look away for now.”
He reminds her they are married.
She says, “One thing has nothing
to do with the other, and
a husband must know his wife
by the contour of her chin,
the curve of her hip, the smell
of her slowly drying hair,
and the sound of her lips pursing.”
She says, “When you can do
all of this with your eyes closed,
what need is there for sight,
and if you cannot, you
could have a thousand eyes
and still be blind.”