an old writer and his words

  • SPACED OUT

    The question you must answer,and the one question I am certainyou cannot answer correctly is this: Does space define usor do we define space? Hints, of course, abound but we,myself included, fail or choosenot to see them or outright deny them. We are all comfortable at home,the adventurous among us declarethat wherever they are is…

    Lou Faber

  • Joshu’s Oak 無門關 三十七

    Look out of the windowthe garden is barrenof oaks, nor is thisa Temple in China. If you listen carefullya thousand branchesbend quietly in the wind,a simple wave washingoak leaves ontoexpectant soil. A reflection on case 37 of the Mumonkan (Gateless Gate)

    Lou Faber

  • Fuketsu’s Speech and Silence 無門關 二十四

    Inward but not outwarda broken stick Outward but no inwarda broken stick A partridge singsin silenceflowers bloomat midnight Fuketsu smiles knowingly. A reflection on case 24 of the Mumonkan (Gateless Gate)

    Lou Faber

  • BROKEN TRAY 鐵笛倒吹 九十

    If you accidentally breaka wise man’s possessiondo you leave himwith one that is incompleteor two awaiting completion. If he asks you to replace ityou may search endlessly,bring him a thousand replacementsbut expect him to reject each oneas never being the sameas the original.If you grow dejected, rememberhe still has the originalin the cupboard. A reflection…

    Lou Faber

  • JOSHU MEASURE THE WATER

    When your mind is ragingthoughts flowing, eddyingwhen you enter the zendowhat do you do in sitting? Do you take your stickand measure the waterto insure a safe fording,or do you sit amid the streamand let the floodwash over and around youdry and silent within? A reflection on case 47 of the Iron Flute Koans

    Lou Faber

  • A MOMENT

    He would be the first to admitthat he hated most things avant-gardeparticularly when it appliedto either art or music.It was simply a matter of beingin the moment, and he knewyou could not be ahead of timefor there was only the momentin which you were in.

    Lou Faber

  • SIMPLICITY

    It is simply a matterOf putting one footIn front of the otherIt all follows from that.But which foot goes first,He asked, I’d hateTo get off on the wrong one?

    Lou Faber

  • ISAN’S SUMMONS 鐵笛倒吹 三十一

    When the mastercalls for a novicedo you answer?When the inkinbell is struckdo you beginor end zazen?As you follow your breathwhen do you leaveyour body, and whoreturns when you next inhale? Search insteadfor an answerthat has no question.Who is the novice now? A reflection on case 31 of the Iron Flute Koans

    Lou Faber

  • NOT TWICE

    It is said that you can never go home againpresuming, of course, that you have left at some point.The fallacy of this statement is apparent,for there is often nothing preventing your return.What would make the statement accurateis that you can never go home againto exactly the same home you leftfor your leaving alters the place…

    Lou Faber

  • SEPPO REJECTS A MONK 鐵笛倒吹 七十三

    If you find the answer and rush to tell your teacher why are you surprised when he turns away from you, saying that is yesterday’s answer. If you want to impress your teacher paint the answer on the surface of the raging river or accept scorn with equanimity. A reflection on case 73 of the…

    Lou Faber