an old writer and his words

  • GYOZAN’S OBJECTS 鐵笛倒吹 二十七

    If a thousand objects are arrayed before you what will you do, what do you call them? A sphere has no edges, I can reach through a cloud. Why would I try to cut a moment in two, or stuff a cloud in my pocket. A reflection on Case 27 of the Iron Flute Koans

    Lou Faber

  • NANSEN’S AGE 鐵笛倒吹 二十四

    When you enter the hall which seat will you take? Your seat is determined by how long you have walked the Way, how long has it been. If you can measure the time that marks your entry sit at the far end for the honored seat is reserved for the ancients who enter the Way…

    Lou Faber

  • TIPPING THE WATER BOTTLE 無門關 四十

    These few words gathered neatly on a scrap of simple paper, what do you call it? Answer carefully for you response may carry the keys to the doors of Mount Tai-i. Better still, upend the water bottle, watch the ink and water form a gentle pool into which no pebble drops. A reflelction on case…

    Lou Faber

  • NANSEN’S REJECTIONS 鐵笛倒吹 四十四

    If you come before Master Nansen will you come holding the posture of a monk or a lay person and when Nansen turns you away how will you exit the room? Nested hands and gassho hands both are so easily manacled, why leave the room at all? A Reflection on case 44 of the Iron…

    Lou Faber

  • A Mistake in Speaking 無門關 三十九

    When you speak the words of the Buddha you are lost. Light is everywhere in silence but the tongue must hide in the dark of the mouth. Buddha’s words are flowers unfolding in the dawn by the side of the still pond, the eyes hear the song and respond in silent chorus. A reflection on…

    Lou Faber

  • MUSHOTOKU

    We spend far too much time clinging to what was as the flames fade, and far too little time feeding the fire and grasping what could be.

    Lou Faber

  • PRACTICE

    tIn the Buddha Hall autumn daylight filters through the half closed windows. In the garden, Kannon stoops to pick up a fallen leaf.

    Lou Faber

  • KISO CUTS A SNAKE

    Snakes, like coins, have both head and tail. If I cut a snake in two, have I two snakes, or none at all. Walk carefully for the spade that cuts the snake can dig an inescapable abyss. A reflection on case 86 of the Shobogenzo (The True Dharma Eye)

    Lou Faber

  • SOUTHERN MOUNTAIN 鐵笛倒吹 四十二

    When you visit the Southern Mountain what will you say of its Northern brother? Returning northward what words will best describe the Southern peak? Answer carefully after much thought or remain silent, both choices are yours to select, as both mountains caress the passing clouds and reach out for the sun which neither may grasp.…

    Lou Faber

  • CHOSHA’S STOP ILLUSORY THINKING

    Before life there is death, before death there is life. In life there is death, in death there is life, a worm cut in two, each half moves, in each a new worm or is there one worm. This I ask you, but answer or no answer both are full of Buddha nature. A reflection…

    Lou Faber