UMMON’S THREE DAYS 鐵笛倒吹 六十八

What were you doing
three days ago
and what will you do
three days from now.
Are you the same person now
as you were, will be?

While your face in the mirrorKoan
seems much the same
each day you die a bit
each day you are reborn.
A thousand days
a thousand years
a passing moment,
how do they differ?

A reflection on Case 68 of the Iron Flute Koans

WOODEN PILLOW 鐵笛倒吹 六十

If, sitting at your meal
you hear the song of a bird,
what do you do?
You may tap your chopstick rest,
and perhaps he will answer
and repeat his sweet song.
If you tap a second time
and there is only silence
is the bird rejecting you
or offering his song to another,
flown from your window.

Perhaps you should tap again
and hear the sweeter song
of silence that echoes
over the garden and zendo.
On a distant limb
the small songbird smiles.

A reflection on Case 60 of the Iron Flute Koans.

KYOSEI’S STICK 鐵笛倒吹 六十四

If Kyosei asks
from where I have come
how will I answer him?
If he asks where
my teacher lives
what will I tell him?

Such a fool I am
to wander from there to here
from here to another place
seeking a path
on which I
am always standing still.
Thirty blows is
the least I deserve.
But Kyosei withdraws
the stick.

A reflection on Case 64 of the Iron Flute Koans

GICHU PREACHES 鐵笛倒吹 語十

If called before the Master
will you walk from east to west
to the Master’s Smile, or 
west to east, to a sudden frown.
Will you approach the Master
bowing with words of gratitude
only to receive a blow of the stick
or seeking instruction in your failure
to an equal blow of the stick.

Ponder this carefully:
what is the answer?
I leave you the stick
to reach a conclusion.

A reflection on Case 50 of the Iron Flute Koans

BOKUSHU’S BLOCKHEAD 鐵笛倒吹 語十語

Seeing your teacher on the road
if he says to you
Honorable Sir, what do you do?
You may turn, bow, and act the fool
or pass, eyes averted
without acknowledgement, silent
equally the fool.

Speak in silence,
face, bow without moving
greet him as you do yourself
in the morning mirror
and once past, offer gassho
and the fool is left on the path
dragging your shadow.

A reflection on Case 55 of the Iron Flute Koans

JIZO’S BUDDHISM 鐵笛倒吹 四十八

In setting along the path
do you follow Hofuku
covering your eyes so as
not to see evil, ears so
as not to hear it
and close your mind
to wandering ideas
or is Jizo’s path
yours as well?

With eyes shut tight
the mind will still see,
with ears covered sound
will echo, growing louder
with no hope of escape.
With open eyes
light is reflected, with ears
open fully, sound passes
freely and flitters away
and the empty bowl
is filled with potential.

A reflection on Case 48 of the Iron Flute Koans.

DAIJI’S INNER CULTURE 鐵笛倒吹 十語

Eyes can look within
and discover a boundless universe
but the tongue alone
can speak only sounds
that go false
as they dance away unseen.

The silence of zazen
speaks the dharma,
the teisho is offered mutely.

The space between
eye and tongue
is but three inches
or an unbridgeable void.

A reflection on Case 15 of the Iron Flute Koans.