HOME, NIGHT

Living in a bamboo grove, she said,
is very much like living in an old house.

Look up at noon, into the canopy
and imagine you see rays of light
piercing the ill-thatched roof.

Listen to the growling winds of autumn
and hear the ghosts of the old house
making their way up creaking stairs.

And when you truly find the silence
imagine the Buddha sitting nearby
the morning breeze his breath
slowly drawing you into the day.

SEIJO’S SOUL 無門關 三十語

Open your mouth
and let your soul flee
on the dance of your departing breath.

Inhale slowly, let
a different soul
find purchase in your lungs.

Both souls are your soul,
neither soul is yours,
but is it the moon
or an obscuring cloud?

A reflection on case 35 of the Mumonkan (Gateless Gate Koans)

ISAN’S SUMMONS 鐵笛倒吹 三十一

When the master
calls for a novice
do you answer?
When the inkin
bell is struck
do you begin
or end zazen?
As you follow your breath
when do you leave
your body, and who
returns when you next inhale?

Search instead
for an answer
that has no question.
Who is the novice now?

A reflection on case 31 of the Iron Flute Koans

SO TO SPEAK

It has taken 67 years, but
I have finally arrived at what
I want to do and be when I
finally grow up, which should
happen any day now, but
please don’t hold your breath.

In this modern age, there is
an ever present and growing
need for euphemists, and I
am perfectly suited for it.

Just this month I could
have offered social distancing,
not to mention those who now
must shelter in place everywhere,
and I’m working on several more,
though I may no longer have time
on my hands, for I know if I did
I’d have to immediately wash them.


For Something Different, a new bird photo each day, visit my other blog:
Bird-of-the-day.com 

ISAN’S SUMMONS 鐵笛倒吹 三十一

When the master
calls for a novice
do you answer?
When the inkin
bell is struck
do you begin
or end zazen?
As you follow your breath
when do you leave
your body, and who
returns when you next inhale?

Search instead
for an answer
that has no question.
Who is the novice now?


A reflection on case 31 of the Iron Flute Koans

MEDITATION

A wise Buddhist teacher
once told me that anything you do,
if you do it mindfully, can be
a form of meditation, and I have
taken this into my practice,
albeit with mixed success, but that
is one reason they call it practice.

Walking silently, following
your breath in and out, aware
of your feet, the earth, the sky
is definitely meditative.

Chopping onions, carefully drawing
the knife thorough the layers
creating neatly incised bits
is certainly meditative.

Sitting by a pond watching
the sun slowly set it ablaze
as the breeze ruffles the surface
is absolutely meditative.

But folding laundry, no matter
how mindfully I approach the task
always and quickly morphs into
a mindless search for the missing sock.

MINDFUL

​I saw the sun
rise this morning
over Mt. Hood, the
glow that announced
to the horizon its approach.
There should be
in the life of every man,
every woman, that moment
when seeing dawn
lift, peel back the shroud
from Mt. Hood causes the sudden
intake of just that much extra breath
that like the sky’s morning flame
we are consumed by the moment.


First Published at Recenter Press Poetry Journal Vol. 2, Fall 2019
http://www.recenterpress.com/issue-two-fall-2019.html

TOKUSAN SPEAKS OF TEACHERS 鐵笛倒吹 二十

Why do you seek old Masters,
they have no special gift.
Your lineage is
the surface of the sea
never still, all waves.
Your teacher has no answers,
his silence instructs
close your ears and listen,
is that his breath you hear
or only your own?
In is out, out is in
depending on where you sit.


A reflection on case 20 of the Iron Flute Koans.