UNLOCKING

There are two keys to it, really
the first, and easier, is to make a well
with your hands, that would need be
not all that deep, just enough
to hold your thoughts as you work.
The second is to add just
the right amount, too little and
it is dry and doesn’t hold
together, too much and it will
refuse to obey your command.
Dust it well, and constantly
as you work, that is
the third key, but we don’t call it
a key, for there should
only be two keys to everything.
And finally, no matter how long
you think it will take, it will
never take that long,
always longer or shorter,
never that long, but
when you are done, you
must savor it while looking
for those thoughts you left
in the now transmuted well
of the making of your hands.

AT THE EDGE

He says we are getting to the point
where we can see almost to the edge
of the universe, see the moment
when all that we know was created,
see gravitational waves cast off
by the collision of neutron stars.
She says that is all well and good,
but why can’t he see that he was
supposed to pick up milk and bread
on the way home, and that they
have to be at the school this night
at seven to meet the teachers.
And, she adds, you do realize
that you neutron stars collided
when the first flowering plants
were appearing on Earth, so
in all likelihood, you can’t
even blame the snake for it all.

JOSHU’S DWELLING 鐵笛倒吹 七十

 

If a poor man offers you
the finest diamond
do you take it, and what
of the gift of a crust of bread
from the wealthy man.
Each gift, in its way,
is worthy of rejection.

Once I grasped at great thoughts –
now I can forget my own name
and wonder whose face it is
that I see in the mirror.


A reflection on Case 70 of The Iron Flute (Tetteki tōsui).