ONE MORE, MORE

That there is another shooting
comes as no surprise,
it is commonplace now, expected
and there are only questions:
how many this time, what
kind of weapon was used, what
motivated the shooter to do it.

What does it say when we define
mass killing as requiring three
or more dead bodies in one place.

The body of the single victim
is no less dead than the mass killed
but death by gun is so commonplace,
we roll right by it unless we know
the victim or the location holds
special significance to us.

So we have ceded our humanity
to the Almighty Weapon, all
we have are prayers, for we
are now too tired to be angry, and
mass anger is our only hope.

THE OLD ROCKER

I reached the point in life
where I know the Byrds were right,
I was so much older then,
I’m younger than that now, and
for good measure Jethro Tull knew
I was too old to rock ‘n’ roll
but far too young to die.
And yet I am still inchoate,
a product of the Big Bang, stellar
dust accreted temporarily.
And the Webb Space Telescope
has given me the next best thing
to immortality, for when the time comes
and I hope it isn’t all that soon,
when my body is cremated, that
momentary heat signature will
be seen in some planet in a galaxy
at the edge of the universe
some 13 billion years later,
long after my ashes will have
returned to the cosmos,
from where I came.

A MOMENT

It is 1952, April, and I
am handed to the woman.
I am wrapped in a thin blanket,
the tall man is standing beside her.
I do not recall this, but this
is how it must have happened,
she finally a mother, he
a father despite infertility.
I do not recall her, the woman
who perhaps never held me
once I exited her body, who
hid me for nine months.
I mourn her now, knowing
she acted out of love, with hope
for me, but only the headstone
is her touch on my hand.

First appeared in Constellations: A Journal of Poetry and Fiction, Volume 12, Fall 2022

NANSEN’S CONTENT AND CONTAINER

Bring me your mind
but leave the body behind,
this is what you must do
to attain enlightenment.
You may sit where you are
in total silence, or
you may come over here
and sit quietly at my feet.
Both paths lead
deeply into the way.

A reflection on Case 64 of Dogen’s Shobogenzo Koans (True Dharma Eye)

IT IS TIME

It is time they said, but they never said what it was time for, although they seem to know. It wasn’t like he was going anywhere, confined to this chair, a quadriplegic. He was the chair really as he had no way of moving it. He had no way of moving anything except by putting it in his mouth. So why, he wondered, did they tell him it was time. It was gratuitous at best and he had a watch strapped to his chair so he knew what time it was. But time meant nothing to him. When you are a prisoner as he was in his body time was merely your sentence and in his case it was likely life without parole

SENSO-JI

By hour six, the plane was just a lumbering beast dividing the sky, halfway from God knows where to nowhere special. His body cried for sleep but he knew he had to deny it. That much he had learned from prior trips. For when he landed, made his way painfully slowly into the city, it would be early evening when he arrived at his hotel. He knew he needed to be on the edge of exhaustion. Only that way could he grab a meal from the 7 Eleven down the block, and finally get to sleep, reasonably fresh in the morning. It would be a long day. Each day in Tokyo was a long day of endless meetings and negotiations. It was mind numbing, but he was paid well to suffer it. And he knew that on his last day in the city he would have time to board the subway for Asakusa. There he would wander slowly down the line of stalls, to the great gate of Senso-ji Temple, its giant lantern shedding no light, and peer at the Buddha Hall in the distance. There would be school children in neat uniforms, always hand in hand, and pigeonss, flocking around them and anyone who looked gaijin, easy marks for photos and handouts. And the orange tiger cat would huddle at the base of the nearby Buddha seeking enlightenment. For that hour or so he was in a different world. The giant city melted away. His thoughts grew placid as he placed his incense into to giant earthenware jokoro then washed its smoke over his face and shoulders. He bowed to the young monk carefully writing the prayer sticks. He stood silent at the foot of the Buddha Hall, a conversation no one could hear, one that everyone here was having simultaneously. Time does not yield, and as it ran thin, he headed back to the subway knowing his fortune without purchasing it for 100 yen. A simple fortune really, a return visit on his next trip to Tokyo and maybe a side trip to Kyoto, and as the icing on his taiyaki, a trip to Nara, to again wander the grounds of Todai-ji and commune with the deer at first light, in the shadow of the Daibutsu. On the flight home he thought of the moments in Buddha’s shadow, the resounding of the great bell. He smiled recalling the red bibbed jizo, knowing they gave up Buddhahood to help those like him, still lost on the path. He is saddened knowing he will soon be back in his world, the daily grind, this trip shortened, as all return trips are. And when he lands, goes through Immigration and customs, when they ask if he has anything to declare, he may say “just a moment of kensho.”

INJECTION SEAT

Another day, another needle,
it is the cost of growing older,
I suppose, and does beat
the alternatives, but still,
I am growing tired of feeling
like an underappreciated pin cushion.

And please, it is not necessary
for you to smile while pushing
the needle into whatever
body part wins the prize
as that day’s recipient, leave
me to decide whether to smile.

And I’m not a child, so feel
free to dispense with the
“this is for your own good,”
if I didn’t know that do you
think I’d be sitting in this chair
having the imagined conversation?

NEEDLE

She tells me I should rest,
that I need convalescent time,
but I want to tell her, “why,
it isn’t like they stuck a needle
in my eye, so why rest?” but
it actually is just that, but the rest
of my body is none the worse
for the wear on my face,
and it hurts less when I
am doing something other
than thinking about it.

The eye will feel better
in a day or two, they say, and
I have great faith in them,
why else would I let them
stick a needle into my eye,
and anyway, I have a spare
and that is the one that still
works like new, well, almost new
normal wear and tear excepted.

ONE STEP TOO FAR

“As you get older,” he said,
“the body grows remarkably
adept at telling you when
you have done too much,
or done something you shouldn’t.”

What he didn’t say, the critical
piece of advice I wish I heard,
is that the body only speaks
well after the fact, a lecture
surely, but never a warning.

No one wants to go a step
short, to miss whatever mark
someone randomly established,
but the price of a step too far
is high and often long lasting.

My back sat me down this
morning , and with that smirk
told me the lifting yesterday
could be paid for over a week,
and my arthritic knees nodded.

ON THIS NIGHT

On this night
he walks silently
into her dream uninvited,
but she is used
to the incursions.
On other nights it
is she who sidles
up to him in the depths
of dreaming, each
slipping away
ahead of dawn.
On rare nights each
enters the dreams
of the other, paths
crossing at
the synaptic border.
On those nights
she looks for him,
he for her, each
grows fearful
the he or she
will be trapped,
alone, when dawn
arrives and the body
gently wakes, she
or he wandering lost
in a familiar
alien reality.

First published in The DIllydoun Review, Issue 1, December 2020 (Current Online Issue – the dillydoun review)