This morning, as I do most mornings,
I took my paints and painted the sky blue.
Today for some reason, I opted for Cornflower,
it seemed to fit my mood and the neighbors cat,
after considering it for a few moments
seemed to agree with my choice, though she
suggested tomorrow might be better served
by either Carolina Blue or Iceberg, but
if I don’t sleep all that well tonight,
I suspect I will just go with Cool Gray.
The Cardinal says anything darker than
Dark Pastel blues is unacceptable since
it takes away from his beauty, but that vanity
aside, it takes too long to sweep aside
the clouds to do the second coat
the brighter blues all demand.
He imagined what it must have been like
in the garden, before the snake, before
the damned apple, though certainly not
before the missing rib, that was a complete
and utter bore, and yes beauty can be
infinitely boring given half a chance.
But to be blissfully ignorant, without
the burden of knowledge, the taste
of the apple on the tongue, to just
be in the middle of perfection, and be
perfection itself, that had to be something.
But no, there would have been no mirrors,
and who knows if it would have seemed
the least bit beautiful, since there
would have been nothing to compare it to.
Maybe we should honor the snake.
It is that magical
hour of the day
when the sun sets
the pond’s surface ablaze.
The fountain in the middle
shoots drops of liquid fire
into to sky, only
to watch them return
to their now fiery home.
This magic only lasts
a few moments before
the water returns
to its natural state,
and for yet another day,
extinguishes the sun.
It was a dark alley
with no apparent end
and I wasn’t certain
how I came to be here.
Actually I was.
I followed her
into the alley,
followed the promise
of light she made.
I do tend to follow her
not for her beauty
though she can show that
when she chooses,
but because I need
to release the words
and my Muse
demands I do it
As you walk through
this particular space
will you see a small
child perched on a stool,
crayons in hand, a small
rectangle of paper
on the top of the desk
a world you could
never hope to understand,
or an older woman, leaning
on her walker, staring
into the canvas, struggling
to see each brush stroke
and three workmen
white hard hats, retractable
rules and laser levels,
measuring the gallery
against the blueprint
which are artists —
which is art —
does it matter?
Spring has arrived, however begrudgingly,
and the young woman pushes
the older woman’s wheelchair
along the paths of the great park.
Neither speaks, but each knows
this could be the last time they do this.
That shared knowledge paints
each flower in a more vibrant hue,
each fallen petal is quickly
but individually mourned for,
its beauty draining back into the soil.
The older woman struggles hard
to fully capture each view for she
knows that it is possible
that it will have to last her an eternity.
Writing is an art form
that very many never see
but the unseeing of the work
is what elevates it to art.
This is what you often hear
from the unpublished, or even
from the denizens of small
press purgatory, the one
the Vatican will never acknowledge,
for the poets corner of heaven
is so deeply hidden away.
The words on the page
know better, they see the beauty
as they tumble from the pen,
and need no confirmation.