The Japanese invented haiku certain that a painting of great beauty could be completed with only a few strokes of the brush.
The Japanese have no word for what we claim is higher order poetry, academic and pedantic are two other English words which easily apply. And the Japanese are hard put to comprehend so much of what we deem experimental, the result, a friend named Yoshi said, of what seems the odd scraps of a dictionary torn apart by an unexpected tornado.
In Tokyo every tree knows that at least four poems lie within it, each awaiting the appropriate season.
Out here, he warned, you should always be on the lookout for snakes by day, not that they will go out of their way to attack you, but stray into their territory and the Western Diamondback will give you a quick lesson in awareness. They hide among the scrub sage and in the arroyos, but you still walk for this kind of beauty demands your attention regardless. And at night, he added, don’t stray too far for the coyotes wander freely looking for rabbits and small game, and though you would be too large a meal, you’d still be worth a taste. You are in their home, after all.
We can sit for a time, and speak of our pains, how they cause us to stop and look inward while the world proceeds on it’s axis, in a slow march through time and space, and we share the anger and anguish of our too fallible bodies which time reclaims in slow progression.
We do not pause and cast eyes on the egrets, heron and ibis returning for the night as the retreating sun paints the clouds in colors known best to flames consuming all, to wings flapping as perches are taken adjusted, as conversations are continued while night settles slowly over the preserve, the birds marvel at how we allow ourselves to be absent from the simple beauty of the world that surrounds us.