an old writer and his words

  • BUENOS AIRES ON THE GENESEE

    If this were Buenos Aires, if I were Borges, it would all make a great deal of sense. A man, older, and older still if you look closely, walks into an elegant hotel bar. A jazz quintet is playing, straight up, trumpet, piano, guitar, stand up bass, drum kit. The older man is wearing white…

    Lou Faber

  • TRIO

    I always wondered if the pianisthunched over his keyboard in the frontof the small club, reinventing a melodywe all thought we knew, the bassistsharing the stage providing support,stopped to note the lyrics offered upby the people in the audience as hecontinued to play, and if so, did henote them for future referenceor did he simply…

    Lou Faber

  • LIONEL HAMPTON AND THE GOLDEN MEN OF JAZZ

    Blue Note, pardonour constructionblack paintedplasterboarda hangingair conditioning duct. Grady Tatesneering at the skinsgrowling at a high hathands shiftingdeftly reaching inpicking a beatand sliding itover the crowd. Jimmy Woodeblind to the lightsslides his fingersover stringsand talks to the bassresting on his shoulder.It sings backbegging , pleadingdemanding as his headsways with an inner vision. Junior Mancesways slowly…

    Lou Faber

  • PERCUSSION

    After years of going to live jazzI’ve honed my skills to a fine level.I still know next to nothingabout the intricacies of the music,five years of classical piano andI barely understand Bach and Mozart. But I know where to look, whobears watching in the combo,and it isn’t the trumpeter, hewith his ballooning cheeks, someclownish bellows,…

    Lou Faber

  • CAT (PSYCH)OLOGY

    It wasn’t until I hitmiddle age, which on my scalewill allow me to live past 100,that I discovered that catsare Celtic deep in their hearts.Our cat, she who adopted meand forced her then ownerto marry me, like it or not,was in love with the tin whistleand the uilleann pipes playinghad her in my lap, unmoving.But…

    Lou Faber

  • CHARLAP

    Bill places his fingers on the keyboard, nods to the drummer and bassist. God waves his hands, demands heavenly silence and unsurprisingly to you, no one argues the point. Even Evans, sitting at God’s feet, smiles and says “it’s so nice to know our legacy is safe,” and turning to Blakey, adds “Ain’t that so…

    Lou Faber

  • QUARTET

    An evening summer retreating in the face of autumn, two garnacha, a piano, bass, drums, her voice lifts the weight of the sky and we float up on a melody, unchained. In heaven George and Ira smile and we, here, smile with them.

    Lou Faber

  • SWING

    The sax swings freely rising and falling on the notes he coaxes out, dancing around the bass’s rhythm, the brushes caressing the drum heads. You close your eyes and allow the music to carry you off. It is at the set’s end when he unfolds the white cane that you see you share a common blindness.

    Lou Faber

  • THE TRIO

    The big man caresses the bass and the strings pour out caramel and cocoa. Ulysses strokes the skins which sing the melody and mind the rhythm. The keys of the Steinway whisper to him play me, play me and even the 89th key finally joins in the song.

    Lou Faber

  • GALLERY (IN) CONCERT

    Kandinsky, Braque, Matisse and Degas all stand patiently in the hall wondering if anyone, this night, will notice them as they always seem to do, while Motherwell and Pollack lurk around the corner, feigning indifference, dreading being ignored. The sound check is long ago complete and the three men sit in the cafe lost in…

    Lou Faber