an old writer and his words

  • BASHO IN GALWAY

    Basho wanted to be in Kyotowhen he was in Kyotobut perhaps it was the cuckoothat led him to think thathe might be elsewhere, perhapsnot even in Japan althoughhe had never left Japan.I had the same feeling aboutIreland, except that thenI had never been in Ireland.I know, now, it was my genesthat wanted to be in…

    Lou Faber

  • HARLECH CASTLE

    I stood on the rampartsthat cold, wet morninglooking out over the waitingIrish Sea, this day offeringonly rain and a November chill. Write haiku, she said to usand I thought of Bashoand Issu who never stoodon a 13th Century Welshfortress and never imaginedwriting about Llywelyngreat or not nearly so. In the rain and chillI scribbled furiously,retreated…

    Lou Faber

  • BASHO, REDUX

    This poem was recently published in the first issue of a new journal, Punt Volat.  You can find it here: https://puntvolatlit.com/issues/winter-2019 If Basho were here today, in this America, at this time, stop briefly and consider what he might write, how he would describe the faces of parents mourning children gunned down in random urban…

    Lou Faber

  • REAL TIME

    Reality is clearly something to be avoided to be dressed up in tattery, tied in ribbons, perfumed, yet its fetid stench is always lurking in the background waiting to pierce your nostrils in an incautious moment until you retch and bring up the bile that marks the darker moments of your life, the kind that…

    Lou Faber

  • Basho’s Staff 無門關 四十四

    Do you have old Basho hidden away in your home? If you do, I will gladly give him to you, but if he is not within your walls, you should produce him immediately. If you need to cross the river walk carefully on his back on a moonless night. If there is a moon, walk…

    Lou Faber

  • THE FORM OF A POET

    It seems odd driving by Mount Hope Cemetery knowing Adelaide Crapsey’s grave is there. If Basho were there a much smaller grave would do under summer’s sun. Shakespeare is buried in Stratford-Upon-Avon so this can end with twelve lines to spare.

    Lou Faber