THE CHARM

The first one felt right,
there was nothing deeper considered,
just that feeling that now,
I know, anyone might have provided
but then, it was something
in a world of nothing.

The second, really, was
certainly right, for life this time,
the wisdom of a single failure
enough to ensure success,
and when it came apart
thirty years later, it was
apparent it was never right,
just more than nothing.

This one is right, for it
does not require feeling so,
merely being in her presence,
a completeness I never knew,
which explains why this time
nothing can get in the way
of the ultimate everything.

COUPLING

Walking through the art gallery,
she frequently pauses to look
at paintings of couples in a bar
or a cafe, engaged in conversation.

I tell her they seem sad, as though
whatever romance they had
has waned, they having grown
apart, this a parting of sorts.

She laughs and says that I mistake
wistfulness for sadness, men
so often do, and adds they are
lovers falling ever deeper in.

She takes my hand gently, with
a look I might have deemed sad,
but knowing better. I realize
that I, too, am continuing my fall.

GRAMMATICALLY APART

What sets us apart
from other species
has little or nothing
to do with self-awareness
and everything to do
with parts of speech.

The birds outside
my window shun labels,
think only of eating,
mating, flight, of going
and arriving, of being.

They know nothing of birth,
do not fear death, for it
is merely a label they cannot
accept or understand.

It is left to our kind
to need to label, to define
every small and large thing
for we sense our existence
and must rely on two things,
for we knew that we live
a world of pronoun and noun.

APART-IAL EXPLANATION

It is all to often debated
what sets humans apart
the other species, and that
will not be agreed any time soon
(which a cynic would note
is one such thing itself).

Freud would claim it is only
our ego, our sense of self,
which may explain why people
are so capable of being self-
ish, and I suspect he was
certain he was wholly correct
but I would give him only partial credit.

It is far simpler than that: record
your voice, record a Sandhill
crane and play them back
and I assure you that you
will say you sound nothing
like what the recorder heard
while the crane will nervously
look all around for his unseen kin.