INSIDE THE PAGE

She asks innocently,
listening to the wind whispering
through the bare branches of the oak,
“How long have you lived
in this poem,” pointing
to the page of marked
and remarked typescript.
He looks at her as if discovering
she’d grown another head,
peeking out from between
her well-polished teeth.
“I have no idea what you mean,”
he says, “I write the poems—
it is up to you to furnish them.”
She grimaces, “That’s so wrong,”
a third head appeared, grinning,
“if you build poems on spec
they are sterile little boxes
that you foist off on the unwary.
Plant all the flowers you want
around it, it will still
have the antiseptic smell
should we dare step into it.
That’s just the difference
between us,” she adds, “I can see
the song of the wind
played by the trees, but you,
you see only the blankness
of the unadorned walls.”

Published in These Lines, Fall 2020
https://theselines.org/these-lines-1.1-fall-2020.pdf

ANYWHERE BUT

I was twelve at the time, would have
chosen to be anywhere but there.
I hated visiting her at home, but this
took my disgust to a whole new level.
We were never close, never would be,
she so old, so old world, so unlike
anyone I had known, so like the women
sitting outside the old hotels on South Beach
waiting for a wave or death, whichever
first flowed in, life having long ebbed.
The room as I remember it was barren,
bleached to a lack of any color,
the bed a white frame, white sheets,
a small white indentation staring
up at the ceiling, up at heaven,
and everywhere what I imagined
were steel bars through which we
and the doctors and nurses could pass,
but which held her tightly within,
serving out what remained
of her ever shortening life sentence.