SETTLING

The old, weathered maple
leans into the sun, its trunk
stroking the cobbled cottage
which sits against the foothill.
The square window peers out
over a wildflower garden
as the roof’s peakline
settles comfortably
into old age.
Walking around it I see
the back roof has collapsed
the back wall ever threatening
to return to the earth
of its mountain home.

ARRIGATO, GAZAIMUS

The old man walks slowly
through the opulent lobby
the light of the triple chandeliers
refracted into a thousand spectra
that dance on mirrored walls.
The guard gently touches his elbow
steering him as though he is blind
drunk, while the bellman walks
a step behind, like Charlton Heston
through an invisible sea.
The man wears a shabby sport coat
that was a ghastly green
on the day it was sold
years ago, his sneakers
are from different pairs, linked
only by their once whiteness.
The bellman dashes in front
of the pair, raising his arm
to part the sea of glass encasing
the lobby in a constant chill
from the July furnace of Tokyo.
They exit, pause, a hundred
feet from the doors, and bow gently
one to each other, so many chickens
pecking over seeds of civility.
The guard stands by the door
watching intently as the man
retreats to the welcoming  streets.

ALL MANNER OF THINGS

Outside Itaewon she leans
perpetually forward as though
straining against the gales of life.
Her cane beats a tattoo
on the pavement, as she
drives her bent frame to the bus.
Nearing the door a young man
bustles by, receiving her cane
across his shin for his indiscretion.

Assuming her seat, as though
a throne, she leans her scepter
between her knees, and receives
the supplication of the young man
who approaches with a limp
to honor his elders and seek
absolution from a momentary lapse.
The old man, in hanbok, smiles,
the bus begins its imperceptible crawl
toward the Han, a small raft
lost in the rush hour sea.

SATORI

The empty wine bottle
nestling the foot
of the postal box
wants nothing more
that to speak its mind
but it is forsworn
to silence, and stares
into the old Maytag box
tucked in the alley
next to the dumpster.
The bedraggled man
sits against the wall
and debates the meaning
of knowledge with
the Buddha lying
in a fetal ball
on the soggy asphalt.

THE AUTUMN OF SPRING

Spring has arrived, however begrudgingly,
and the young woman pushes
the older woman’s wheelchair
along the paths of the great park.
Neither speaks, but each knows
this could be the last time they do this.
That shared knowledge paints
each flower in a more vibrant hue,
each fallen petal is quickly
but individually mourned for,
its beauty draining back into the soil.
The older woman struggles hard
to fully capture each view for she
knows that it is possible
that it will have to last her an eternity.

FUGUE

The name on the door
says Richard Strauss
though the lack of music
emanating from within the room
suggests he may be napping
or off doing something more important
than entertaining those of us
out in the hall of the nursing home.
It’s no surprise, he’d be
in a home now, more odd that
he isn’t long dead, but music
has a life of its own, so too musicians.
Johann Bach and I discussed this
just other night, though he
said he has little use
for so much of today’s music,
“It all went to Hades after Wolfgang,
Ludwig and Johannes, but
what do I know, since I am now
just one more of the ancients.”
Johann added, “I’d like to stay
and talk, but when you
are my age, well, tempus fugit,
and I must, therefore, bid you farewell.”
I slid quickly back into
the fugue state of my dreams.