What I want to tell her is this: it’s fitting, perfectly, that you who so assiduously hid the past from me, your past and mine, now bars your entry, refusing you even the briefest glimpse. You want so to grab onto it to have it carry you to a place removed from here by time and distance, where it is warm and most of the time, cozy. It is also fitting that you call out his name, as though he was in the yard pruning a tree, delaying dinner, the same he you cursed glad to have him out of your life and out of your house, you wished him dead so that you might call yourself a widow and share condolences with the other black draped women. You never mentioned the six months of foster care or the little sister who came and went so quickly when he had the audacity to drop dead on you one morning. This is what I would say to her, this is the curse I would place upon her but she no longer recognizes me, I am no more than a well dressed orderly come to remove her lunch tray.
I have fond memories of a childhood I never lived. Those are the best childhoods from for they reflect life as you meant it to be lived. In this life my father is in his late nineties, still smiles when he sees me, not didn’t clutch his chest sixty-one years ago, didn’t fall to the floor, didn’t leave me half an orphan again, doesn’t live only in the periphery of my dreams.
I don’t know why my mother gave me up at birth or how many cousins walk the streets of Lisbon or where I lost my first tooth I don’t know what became of the nickel or why the tooth fairy was so tight or who will wash the blood from the streets of Basra I don’t know how my Walkman eats batteries like Hostess Twinkies or why fungus grows underground or why the Somali child stares through starving eyes I don’t know why my dough rises, only to fall mockingly, or why forced to eat matzoh, the Jews didn’t go back to Egypt or why I poke my sore knee to insure it hurts
I don’t know my birthright name.
First Appeared in Children, Churches and Daddies, Vol. 141, October 2004.
He often comes to me in dreams. In most he is faceless, but intently present, speaking in a voice I instantly know, nothing like mine and totally mine. On occasion his face appears, blurred, as if seen through a scrim, back-lit, vague, an actor in some film I have seen, but yet not that person, that character. For a while I saw my own face, but I knew that was just my wishful mind filling in a gap which has yet to be filled, knowing that it likely never will.
Even when I was briefly in Edinburgh I dreamed of walking the streets of Lisbon or Porto, looking into the faces of older men and wondering if this one was my father, the one I had never seen, never known. the one my Jewish mother described in detail to the social worker who took me from her shortly after she gave me life. It is many years later, now my mother has a face, discovered in the twisting path of a double helix, good West Virginia Jewish stock, Lithuania left far behind. I may someday visit Lisbon, I hear it is a lovely city, but the faces will all be alien to me, and there I will dream of my day touring the Highlands of Scotland, the Isle of Skye, and which of the McDonald’s or McAllister’s might be kin and which Tartan I can rightfully claim as my own.