THE COLOR OF BEAUTY

They sat on the bench in the park
looking out on the small lake,
two ducks swimming slowly in circles.
“Dawn is the most beautiful moment
of the day, the sun chasing the moon
and setting the sky ablaze,
orange, crimson, flame, there
is simply nothing,” he said,
“in the world quite like it.”

“It is that, but it pales compared
to the beauty of dusk
and the setting sun retreating,
the clouds painted by the master
in orchid, fuchsia, and a depth
of pink only the sun and clouds know,”
she replied, “and each day is different.

An old monk walking by bowed,
nodded and softly said, “but look
to the sky on a cloudless night,
see the moon reflect all the sun
has to offer, all the colors
in the spectrum are there if you
only close your eyes and see them.”

NOT OVER THE RAINBOW

It seems odd now, that he is here,
a place he never intended to be,
as it was a place he could not imagine,
yet he most certainly was here.
If you asked him why he was here,
he would answer that he had to be
somewhere, and here is where it was,
just as your being here is just
as it had to be, for you are here.
He points to a sign over his palette bed,
which simply reads “You Are Here,”
and says, I take it everywhere I go
and it has never been wrong yet.
The bell rings for the evening zazen
and as he assumes his place on the mat,
the Buddha seems to smile and say
to us both, You are where you should be.

IN ABSENCE

The dawn failed to appear this morning.
There was a slight lightening of the sky,
more a change of grayscale shade
that a shift in time-honored by the sun.
The crows seemed to notice, why else
would they stay silent, so unlike
most days when the first rays of sun
were the call to take up the cacophony chorus.
Even the squirrels noticed, and hid in the trees,
knowing this was not a normal day,
but soon emerged when the siren’s call
of nuts outweighed their fear.
We trod on into the park, picking
our way through the piled snow,
cursing winters cruel approach, our path
lit by our fading memory of summer.

A POINTED REPLY

Between this point and that
lies a vast uncharted space
noted on every cartographers chart.
If you ask how this
could be possible, I reply
it’s like listening to silence
and hearing each sound
deeply embedded in the one
next to it, a glissando of
what exactly? Uncertainty?
That is the whole point
in the final analysis, for
between that point and this one
everything exists in that one place.

TOCK

He notes with alacrity
that modern man has stripped
all logic from time, rendering it
an arbitrary temporal system
based on mechanics, and even that
is quadrennially imperfect.
Once it was seasons, which came
and went in orderly fashion,
but heating was never a science then.
Later it was the moon
a reusable calendar and what
was an odd month here or there
if the crops were in the ground.
Now it is sweeping hands
that carry off the dust
which is all that remains
of our once logic.

RUYGE’S ULTIMATE STAGE鐵笛倒吹 二十八

 

If you answer the question
I will ask you another
each more difficult.

If you enter a room
and catalog its contents
there will always be a door
leading to yet another room,
another inventory to be taken
to determine what is there
and what is missing.

It is only when you enter
an empty room,
that you will find all things.


A reflection on case 28 of the Iron Flute Koans