GLASS HOUSES

You want to yell at him, tell him
to stop, that it is too soon, that he
is not ready, cannot be, won’t be
for months to come, but you know
he will not listen to you
standing, gesticulating, imagining
a stone in your hand, shattering
the glass walls, the crackling
gaining his full attention
causing him to realize what is
so very obvious to you.
But you cannot do so, wishes aside,
there are no stones to be found
within the house in which you stand
and if there were, there still are
very clear rules against your throwing one.

BENDING DREAMS

In Hawaii I could stare for hours at a taro field,
the bent back of a farmer, and the same a gentle fold
of spine I saw from the Shinkansen, Tokyo to Osaka
amid the fields of yellow, later rice in some bowl
perhaps even mine, or in Antwerp as the chef
patiently picked over the trays of mussels in the market
knowing just which would suit his needs, all having
a remarkable sameness to my eye and nose.
On the road just outside San Juan, near the beach
with surf-able waves, the woman stood bent in the heat
over a 50 gallon drum turned stove, cooking the pork
tucking it into the dough and placing it in the fryer oil
smiling through her few remaining teeth, offering pies
that we dared not resist, knowing the sea
would soon enough be our willing napkin.
This morning, as I took my slow walk
to the coffee shop, a jay sitting on a rusting fence
stared at me for a bit, not unnerving,
persistent, and I imagine him thinking
of taro, rice and fresh cooked pies.

IN THE BREACH

There is little you can do about it,
less that you want to do,
although they are not pleased
with your decision.
Remind them that they
are the ones that left the decision
to you, mostly in the hope you
would do what they hoped, taking them
off the hook, but they now realize
they have been hoist
with their own petard
and the walls, gates they wanted
breached still stand
with you on the sideline
watching their farce unfettered.
They will not ask again
and you laugh, for if they did it
you would give it a try
just to see the look on their faces.

WHISPERED SONG

“Oh, Woman who walks in beauty like the night
I am a friend who is distant and silent.” — Dineh Wind Prayer

We always sat
on the back bench seat
of the Collins Avenue bus,
stared out the big window,
noses pressed
against the cool glass,
stared at the procession
of stucco hotels,
simple neon signs,
lines of cars and
bathing suits.
My mother working
late into the night and
Beck, eternal friend
who buried her children
only to become a surrogate
mother to an orphaned son.

Beck would stroke
my forehead. At night
when the room was lit
by lightning, she cradled me
shielding my eyes
with sagging breasts
that had nursed three
daughters into womanhood,
later into the grave.

Beck whispered to me
in a mother’s voice —
my mother spoke
in another voice. I
stroked her wattled arms
watching the pouch
of skin swing gently.
Looking at my mother now
it is often Beck’s lips I imagine
kissing my cheek, “Aunt”
Beck, and not my mother
who still casts
disapproving glances
at failed attempts
at machismo, Beck’s
sparse gray hair
that rests on my shoulder.

I was Beck’s last
surviving child
a fourth daughter.
I am the last
to say Kaddish
to remember her
at Yizkor.

In the early morning
mirror, my eyes slowly
ceding sleep, my lover’s
sweat still beaded on
my arm, her taste lingering,
I see my beard fall away,
my skin is smooth, childlike,
my chest hair fades
replaced by nascent breasts,
testicles recede, hair grows
long, auburn, Beck’s face
as it once had been,
as it appeared
in the faded photographs,
stares back at me.

I am mute, wanting
her to draw me against
her shoulder, to make me
again – for a moment –
the fourth daughter
and not the son
she never had.
Next week I will go
to the aging schul,
I will sit among
the women, away
from dovening men, head
covered by the tallit.
I will sing
Kaddish to her.


First Appeared in Vent, Issue 1, 2003.