an old writer and his words

  • THE GIRL COMES OUT 無門關 四十二

    She sits undisturbedShakyamuni by her side.You can wave at her, shewill pay you no mind. You cannot grasp her mindand maintain a holdon your own, you will growdeaf from the chatterbut a child can curlat her feet and shewill stroke his foreheadin perfect Samadhi. A reflection on case 42 of the Mumonkan (Gateless Gate) koans.

    Lou Faber

  • TWO MONKS ROLL UP THE BLINDS 無門關 二十六

    Both are askedto bring more lightinto the hall. Together eachrolls up his shade.One’s action is gainone’s action is loss there is only one shadethere is only one light. aA reflection on case 26 of the Mumonkan (Gateless Gate) koans.

    Lou Faber

  • HOGEN’S DRIP OF WATER 鐵笛倒吹 九十一

    What are wordsof wisdomfrom the mouthof the ancient ones.I tell youthese are such words.You may acceptor reject themas you will.Better still, tearthis page from its bindingcrumple itand cast itto the four winds.Let it be carriedoff in ten directions. A reflection on case 91 of the Iron Flute Koans

    Lou Faber

  • DOGO’S GREATEST DEPTH 鐵笛倒吹 六十六

    If you walk into the roomand many are meditatinghow will you know whichis the teacher, which the students? If one sits on a higher platformwill you assume him teacherand ask the depth of his Zen.If he comes down to youand says he has no depth to offerdo not think him a fool.When you sit at…

    Lou Faber

  • MEOW

    Again today I am inside this so calledbox, unchanged perhaps, but whois to say, not you, still Schrodinger’s cat. Don’t bother to ask if I am deador alive, for like the Master Daowu, youcan bet that I won’t say, so there. And do not assume I know what I am,for if I were dead, I’d…

    Lou Faber

  • SPACED OUT

    The question you must answer,and the one question I am certainyou cannot answer correctly is this: Does space define usor do we define space? Hints, of course, abound but we,myself included, fail or choosenot to see them or outright deny them. We are all comfortable at home,the adventurous among us declarethat wherever they are is…

    Lou Faber

  • UTEKI ASKS BUDDHA 鐵笛倒吹 四十語

    While out for a walkon a sun filled Spring dayif you happen across the Buddhahow will you recognize him? If you offer gasshoto Buddha surelyit will be returned, butis it he or merelyyour reflection offthe surface of a still pond?Does this matter to you? A reflection on case 45 of the Iron Flute Koans

    Lou Faber

  • Joshu’s Oak 無門關 三十七

    Look out of the windowthe garden is barrenof oaks, nor is thisa Temple in China. If you listen carefullya thousand branchesbend quietly in the wind,a simple wave washingoak leaves ontoexpectant soil. A reflection on case 37 of the Mumonkan (Gateless Gate)

    Lou Faber

  • ENSO WHAT

    Today I again took up the brush,carefully mixed the sumi-e inkand with hand poised over a sheetof anticipating rice paper waited, knowing that the moment for a strokewas imminent but not yet at hand,and I dare not force it for brushpainting is a practice that cannot be compelled, a gentle mergerof idea, brush, ink and…

    Lou Faber

  • Fuketsu’s Speech and Silence 無門關 二十四

    Inward but not outwarda broken stick Outward but no inwarda broken stick A partridge singsin silenceflowers bloomat midnight Fuketsu smiles knowingly. A reflection on case 24 of the Mumonkan (Gateless Gate)

    Lou Faber