JOSHU MEASURE THE WATER

When your mind is raging
thoughts flowing, eddying
when you enter the zendo
what do you do in sitting?

Do you take your stick
and measure the water
to insure a safe fording,
or do you sit amid the stream
and let the flood
wash over and around you
dry and silent within?

A reflection on case 47 of the Iron Flute Koans

BLOSSOM

I remember the cherry trees
along the reflecting pool, though
except in April they mostly reflected
a partially clouded sky promising rain.

Their pinkness was a tone I have
searched for since, and came
closest in Tokyo, jealous of the emperor
and his gardens so carefully tended.

It is that time again, and this year
as in so many past, I will not see
my reflection in the city of my birth,
nor the pink rain that falls slowly

in April’s first strong breeze, I
will not scoop up a handful of pink
and cast it into the sky, only to fall
yet again, to the joy of a nearby child.

I will dream of Tokyo, of the two trees
In a corner of Senso-ji, alight in pink
under the always watchful eye
of Buddha and the smiling jizos.

DUGO AND UNGAN MEET

 

When your mind is raging
thoughts flowing, eddying
when you enter the zendo
what do you do in sitting?

Do you take your stick
and measure the water
to insure a safe fording,
or do you sit amid the stream
and let the flood
wash over and around you
dry and silent within?

A reflection on Case 36 of the Iron Flute Koans

IDEOGRAPHING MIND 鐵笛倒吹 四十六

If you will mark your gate
what word will you use,
what for the door, what
for the window?
The gate knows quite well
what it is, as to door and window
and need no marking.

Even the fool knows
through each you
may enter the house,
but even the wise man
cannot tell you
how the house may enter you.

A reflection on case 46 of the Iron Flute Koans

ISAN’S SUMMONS 鐵笛倒吹 三十一

When the master
calls for a novice
do you answer?
When the inkin
bell is struck
do you begin
or end zazen?
As you follow your breath
when do you leave
your body, and who
returns when you next inhale?

Search instead
for an answer
that has no question.
Who is the novice now?

A reflection on case 31 of the Iron Flute Koans

NOT TWICE

It is said that you can never go home again
presuming, of course, that you have left at some point.
The fallacy of this statement is apparent,
for there is often nothing preventing your return.
What would make the statement accurate
is that you can never go home again
to exactly the same home you left
for your leaving alters the place and your return
creates only a new status quo, it can’t restore the old one.
It is like this with rivers, the Buddhist knows,
you never step into the same river twice
for each steps has you greeting new water
and even the rock upon which you step
has microscopically eroded.
So feel free to go home again, for there is
much to be gained from returning to a place
that is so familiar, and yet which you have
never before actually visited.

SEPPO REJECTS A MONK 鐵笛倒吹 七十三

If you find the answer
and rush to tell your teacher
why are you surprised
when he turns away from you,
saying that is yesterday’s answer.

If you want to impress your teacher
paint the answer
on the surface
of the raging river
or accept scorn
with equanimity.


A reflection on case 73 of the Iron Flute Koans