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THE FINAL SCENE
For far too long he had beena marionette dancing to a tunehe could not hear, always staying silent,lost in a kabuki theater of the absurd.But he had grown tired of performingat their every demand, his life livedperpetually on call, no time truly his.He was drained by them, empty,not that they cared for they knewthe adulation…
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FOUR HAIKU
At night’s marginsdreams may ferry you acrossrivers of doubt Paper boatsfloat slowly down riversof deep felt hopes Paper lanternsslowly carry awayancestral spirits A thousand craneslift into a scarlet skyand chase the sun
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FORGOTTEN
In the great cemeteryin a corner reserved for thatostentation only wealth can buyI am struck by one massivemarble walled mausoleum.Who lies within is of noimportance to anyone otherthan the ones who lie within.Small graves in common bulksections are dotted with freshor faded flowers waitingto nourish the soil, or is itthe souls of those who lie…
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SEPPUKU
It is difficult to acceptthat the glutinous blobcongealed on the plate beneaththe salt lick worthy pilesof ill cooked vegetablesand fried tofu now limpwas ever related tothe swaying stalks in neat rowsbetween flooded furrows,under the watchful eyea Fujiyama and theShinto gods residing there.What would the old farmerbent over by time thinkif he could see whatlay before…
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UNSCRIPTED
I am so tired of readinglines written for me by othersalways a cold readinglacking emotion and substance.I have my own voice, readyto deliver my soliloquy.I have been livingfor seven decades.But I know that Iwill be seen as yetanother Yorickushered off the stage.And I imaging myselfremembered by someone youngerwho will recall no morethan a passing memory.
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THIS IS NOT: AN APOLOGY
This is an apology I never wantedor thought I would have to write butnow, my grandchildren, it is necessary. This is not the world I wantedto leave to you, what I had hopedwas a world at peace, a world whereyou could be anything without beingjudged or shunned, where wordshad meaning and books were treasures. Instead…
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A TROIS
Each night I crawl under the sheetscurled against the woman I loveand beside me slips your ghost.For sixty years you were no morethan a fleeting dream faceless, nameless,an infrequent visitor to my galleryof hopes, desires, and wishes.You never had a face, did Ihave one you could remember beforeI was plucked from you too soon, youlurking…
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GOOD?
She used to ask me if I had a good day.It was a loaded question for there wasno good answer in her view, it was reallyjust rhetorical, something you saidto avoid talking about your ownfeelings and emotions at any given moment.She expected me to complain about allthat did not go as planned, whereuponshe could roll…
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SEASIDE HAIKU
The ocean singsof its abundant lifewe hear only waves On the tidal pondthe moon admires itselfno one will see it On the waterI cried a thousand tearsthe sea accepts them
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DONGSHAN’S ILLNESS
If you tell your teacherthat you are feeling painduring your practicehe will ask you wherethe pain is.If you point to a partof your body he willturn away but if youpoint to your headhe will tell you thatyou can heal yourself. A reflection on Case 98 of Dogen’s Shobogenzo Koans (True Dharma Eye)