PARADE

They strut across our lawn oblivious to our stares. The cat sits watching these large objects, birds perhaps she thinks, but nothing like those she once hunted for food when she was homeless and pregnant. She is content to sit and watch them, speaks a momentary hello, and realizing that they do not speak cat, settles down for her pre-dinner nap.

APPROACHING NIGHT

Arising into night
the departing sun
tangos away with its cloud,
memories soon forgotten.

Other dancers take the stage,
now a romance, now
a war dance, feathers raised
in prayer to unseen gods.

Night will soon bring
its curtain across this stage,
the avian casts’ final bows taken
the theater will darken, awaiting
another performance,
a new script tomorrow,
but for this solitary moment
of frozen grace, it is we
who write the conversation,
our lines sung by actors who
know only nature’s
unrelenting song.

First Published in Half Hour to Kill, August 2022
https://halfhourtokill.com/home/approaching-night-by-louis-faber

FIVE HAIKU

The dawn cedes slowly
to the impinging sunlight
birds greet the new day

The great egret lifts
her wings embracing the cloud
the winter sun smiles

on the barren branch
the red-shouldered hawk awaits
her mate and the sun

sandhill cranes wander
along the shore of the lake
looking for nothing

the moon is a cup
waiting for night to fill it
venus sits empty

MAGIC MIRROR ON THE WALL

The face in the mirror this morning
was not mine, perhaps it was
that of my grandparents, all
I never met, having only
old and faded pictures that vaguely
resemble the mirror’s face.

It might be my parents, both
dead before I found them only
yearbook pictures and just possible
a vague similarity to the face
that i see in the mirror each day.

I tried to ask the mirror who
it was hiding in the glass, but
like most mirrors it was silent,
a sad reflection of its ilk, so
the old man peering out will
continue to be someone
that I have never met.

GET A ROOM

You feel like a voyeur, staring
as the red-shouldered hawks
mate in a tree mere yards
from where you are standing.

Still, you cannot take your eyes
away from them, your camera
tightly focussed, an avian
pornographer perhaps, or maybe

just a lucky soul given the chance
to witness a ritual denied to most,
and you know with luck their offspring
will repeat the show for you next year.

DUSK

There is nothing like, no
words to adequately describe,
that moment when a cloud-
hazed sun lingers wishfully
just above the horizon, grasping
the sky with brilliant talons
of light, fearing becoming
lost in a darkness that will,
on this night of the new moon,
engulf us all in its inky shroud.

We know, or pray, the sun
will return in hours, just
as the sun knows its work
is never done so long as it
has light to give, hoping
that final collapse is eons away.

As it finally settles beyond
sight, we smile, retreat
to the table and consume
our dinner and wine, our
daily companion forgotten
until its dawning return.

DEGENERATION

I feel like I ought to be
living in Texas again
for everything, they say,
is bigger in Texas, and you
don’t argue with a Texan.

So much in my life is bigger now,
a computer monitor that would
pass for a moderate sized TV,
with font so large a single page
fills the screen, and the tablet
the size of, but thank God
not the weight of, a phone book,
(if you are under 30, look it up),
to read books and news since
libraries don’t carry large print books
(look that up too, probably)
at least not books of poetry.

But thanks to modern materials science
the lenses in my glasses don’t
yet look like Mr. Magoo’s (yup,
one more thing to look up,)
at least not yet.

First Published in Half Hour to Kill, August 2022
https://halfhourtokill.com/home/degeneration-by-louis-faber

TIME WHEN

There waa a time when
news wasn’t news, carried
by mouth, one person
to another a game of telephone
before that concept existed.

Newspapers promised us
the news, but in the time
it took to write and print it,
it was nearly news,
or at worst slightly olds.

Now the world is always
available instantly, but we
know or should, that half
of the time we see only bits
woven into a narrative
that bears no relation
to what actually happened.

THE ANCIENTS

Night and the ancients retreat
to a dark corner of their celestial prison
from the promised arrival
of the yellow dwarf from which
they know we demand a presence.

We ignore the ancients now,
ignore those who cast them
into their prison, ignore
the acts for which they were
banished, care only to name them,
and they know that our recognition
is their only grasp on existence.

Each day their tiny cousin
demands our full attention,
defies us to look deeply at him,
pleased that he is, for us,
the center of our universe.

POP-UP BUFFET

The cranes walk together
as a pair, announcing
themselves loudly,
strolling across the lawn
headed for the one yard
where the sod has been
torn out to allow regrading.

The equipment has paused
and they take this
as an invitation, stopping
for a large meal
at the new buffet,
certain that this
was done just for them
and perhaps a few ibis,
should they happen along.

Tomorrow this will be
once again a lawn
and the cranes will
express their displeasure
before looking for a new
place to dine.