The melody arose from the most unexpected place. They heard it deep within the woods and even the birds fell silent peering around, searching for its unrevealed source. It carried on for several verses and then, as quickly as it came it was gone, the final note carried off by a spring wind. No one entered, no one left the woods that day and though many searched no instrument was found and the trees of the woods grew silent at the searchers’ approach.
The Japanese invented haiku certain that a painting of great beauty could be completed with only a few strokes of the brush.
The Japanese have no word for what we claim is higher order poetry, academic and pedantic are two other English words which easily apply. And the Japanese are hard put to comprehend so much of what we deem experimental, the result, a friend named Yoshi said, of what seems the odd scraps of a dictionary torn apart by an unexpected tornado.
In Tokyo every tree knows that at least four poems lie within it, each awaiting the appropriate season.
The moon has gone past full and as waning as I write, it’s slow retreat hopefully taking with it the burden of winter, that we now must measure in feet, the inches having been heaved up, one upon another. Spring will come soon for a taste of it, for spring is an inveterate tease, preferring to appear only long enough to let the melting snows floor around, and to occasionally into our homes, so that we, maps and markets in hand, pause to dream of the summer which we now doubt will ever appear.