How far must you wander
to taste the pure essence,
hear the pure note,
see deeply into beauty,
smell the first flower of spring,
touch another heart.
Will you grow tired
from standing still
in total silence
contemplating this?
A reflection on Case 65 of Dogen’s Shobogenzo Koans (Trud Dharma Eye)
The leaves will soon begin
their descent from the small tree,
already brown, their beauty
departing before they do so.
They are bilobular, an odd word,
but one that belongs in a poem,
even this one it seems, and it is
their shape that you first notice.
The tree will all to soon be naked,
branches sticking into the air
as if searching for a breath
that refuses to arrive.
But we know that soon after
the small buds will open
and orchid-like flowers will appear
to our all too temporary joy.
In that moment
when the gentle chirping
of a small bird
resounds as a pounding
spring deluge, washes away
the creak and thrum
of passing cars, when she sings
only to you, her small voice
drawn in to your ears, your
mind, until it fades
slowly like the bell
and you wait for it
to strike again, to feel
it seep down your spine,
ooze into your fingers
and toes, pool in bent
knees and elbows, folded hands.
In that moment
the gentle chirping
is your voice, and you
are perched in the weeping
cherry tree in the garden
preening in the morning sun.
First published in Creatopia, Issue 5, Spring 2022
https://creatopia.studio/creatopia-collection-magazine/spring-2022-renewal-magazine/
She says her favorite month
is May, when spring’s grip
is tightest, but most of all
she cherishes the rain.
She is intimate with the rain,
there is a privacy that only
she can concede, if she wants.
She can take a drop of rain
and it is hers alone, she need
only share it with the sky,
it is always clean on her tongue.
She may borrow rain
from the trees, catch it
as it slides from leaves,
or watch it slowly tumble
from the eaves of the house
she remembers from childhood.
She loves walking barefoot
through fresh fallen puddles
as it washes bitter memories
into the willing earth.
First published in Creatopia, Issue 5, Spring 2022
https://creatopia.studio/creatopia-collection-magazine/spring-2022-renewal-magazine/
Spring has arrived, however begrudgingly,
and the young woman pushes
the older woman’s wheelchair
along the paths of the great park.
Neither speaks, but each knows
this could be the last time they do this.
That shared knowledge paints
each flower in a more vibrant hue,
each fallen petal is quickly
but individually mourned for,
its beauty draining back into the soil.
The older woman struggles hard
to fully capture each view for she
knows that it is possible
that it will have to last her an eternity.
First Published in Beautiful in the Eye of the Beholder, Sweetycat Press, 2022
The snow capped mountain
stares at the December sky
shredding laughing clouds.
I sit by the fire dreaming
of the slow approach of spring.
There is a moment
when all is only silence
the zendo in stillness.
In that moment I can hear
the entirety of Dharma
The temple bell tolls,
the deer assume their posture,
afternoon zazen,
I walk around Todai-ji
in futile search of Buddha.
It was easier then, so let’s
go there, the spring of 1970,
the location is less important,
so long as it’s a coffee house
where those barely old enough
to drink, or barely short of that
age congregate, waiting for
something to happen or, I
seriously hoped, someone,
someone with little hair, but
who carried James Joyce in
his jeans pocket, Portrait of
the Artist the only Joyce to fit.
I had thought of Ginsberg or
Corso, a better fit, but too
intelligentsia for this audience,
and literature was not my purpose,
although I hoped they did
not know that, or if so, would
not hold it against me, at least
until after a first date and sight
of me in my Air Force uniform.
I did succeed that spring, so
my efforts did bear fruit, but
50 years, and a failed marriage later,
let’s instead go back twenty
years, to an Indian restaurant
where being a poet fit neatly
into the hip pocket of my jeans.
First appeared in the South Shore Review (Canada) Issue 2, Spring 2021
Along the shore
of the pond wishing
it was a lake,
the anhinga proudly
shows off the small fish
that will be his
mid-morning snack.
The egret finds
this show of ostentation
abhorrent and returns
to her search
for bugs on the reeds
fringing the shore.
The alligator swims
lazily off shore
hoping we will
soon pass, and
considers whether
he wants only to sun,
or if an anhinga would
make a good meal.
The melody arose from the most unexpected place.
They heard it deep within the woods
and even the birds fell silent
peering around, searching
for its unrevealed source.
It carried on for several verses
and then, as quickly as it came
it was gone, the final note
carried off by a spring wind.
No one entered, no one left
the woods that day
and though many searched
no instrument was found
and the trees of the woods
grew silent at the searchers’ approach.
The Japanese invented
haiku certain that a painting
of great beauty could
be completed with only
a few strokes of the brush.
The Japanese have no word
for what we claim is higher
order poetry, academic and
pedantic are two other English
words which easily apply.
And the Japanese are hard put
to comprehend so much of what
we deem experimental, the result,
a friend named Yoshi said,
of what seems the odd scraps
of a dictionary torn apart
by an unexpected tornado.
In Tokyo every tree knows
that at least four
poems lie within it, each
awaiting the appropriate
season.
an old writer and his words 