In the dead
heart of winter
there is only
a brief dusting of snow
and the sun
appears in appreciation
before sulking off
to far warmer climes.
tIn the Buddha Hall
autumn daylight filters through
the half closed windows.
In the garden, Kannon stoops
to pick up a fallen leaf.
There is a heaviness to the sky
a weightiness belied
by the gray of the clouds,
even the departing sun
seems to whisper that it
will be replaced by rain in short order.
You feel the weight bearing down,
as the heat of the day dissipates,
and although the first drops
have not yet fallen, you know
that it is best to be within
when the rain begins
for it will do so without warning
and with little care
for your presence,
for this is how Spring
demands your attention.
They said it was essential
for a writer to have a substantial platform,
one built high enough to be easily seen
by those passersby who might just give
a passing glance, even if it was a typo
landed them here, updated, regularly
changing with time, tide, and fashion
always ready, always accommodating.
It must be a composite, the better
to handle storms, ill winds lacking
the ennui of winter, curse of summer.
It was no small task to build,
everyone offered plans, templates,
none ever quite right, but he built it,
and when the time came, like most
writers he knew, it would suffice
where they put the noose around his neck
and hung him by his words, his
truth that they came to hate.
are disconcerted this morning.
It could be
that the sun startled them
or that they
protest the cold
for clearly they
as much as
It was draped over the fence,
a bridge for squirrels who
would otherwise would go through the chain.
There’s a sadness to its needles, many
burying themselves in the accumulated snow,
cast off by the great Spruce as extraneous,
an old coneless branch, “that is the reason”
the trunk whispers in the wind
“why I am rid of it, why now
you are free to take up lopping shears
and make of it what you will
or just haul it to the curb, it is of no matter to me.”
There is a cynicism in the old tree’s voice,
as if saying, “Look, I was here before you, long
before any of this,” knowing it will go unchallenged.
But I remind it of the fate of the Austrian Pine
that one stood two dozen yards away
and the Spruce sheds another cone
and lapses into silence.
She isn’t used to the cold,
she never will be, and she hates it
with the sort of passion she once reserved
for people of a different
political philosophy than hers.
She grew up here, but she left.
She has never regretted the departure.
She visits only in late spring
or in the heart of summer, or early autumn
and is here now only for a funeral, which she hates
more than the cold this winter.
She wishes that the death could have occurred
in late spring, early autumn, the heart of summer.
She is certain she will die in one of those seasons,
or at least in the deep enough south
that no one attending a funeral
will have to freeze and curse the winter.
She has no intention of dying anytime soon,
for she has a great deal left to do
and some of that clearly involves
cursing winter and hating the cold with a passion.