AGING

He is four today. He’s been practicing being four, so it is somewhat second nature. But he made a decision. Next year he will be five. He was going to be 27 next year, but decided that can wait another year. I asked him why he was delaying, he said, “You get better presents when you are four or five.” I confess his logic, but wonder what I should do with the tie and cardigan I bought for his next birthday?

FOR THE BIRDS

It is incredibly frustrating that no matter how long I spend in discussion with the egret, he will tell me nothing of his life, of what it is like to be able to perch on long legs, and then take glorious flight. The limpkin will speak endlessly on this topic, but he really has nothing to say of any importance. Still, I’m not giving up hope, for a friend said that he had it on good authority from a passing wood stork that the egret is planning to write a tell all book, once he figures out how to use a computer.

FOREVER, ALMOST

It is a large boulder in the middle of a rutted path. That path leads nowhere in particular. It comes to an end at the edge of what appears to be a dense forest. Several trees are posted with “Do Not Trespass” signs, long faded until you must stare to make out the words. The forest is foreboding, so it is not clear if anyone would willingly enter. Few ever come down the path. Fewer still make it to its end. The large boulder has been here for centuries. It stares up at the sky, in amazement.

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There will come a time in the not distant future when words will be rendered unnecessary, when thought will be freely transmissible, when distance will become a lost dimension. That day will be one of mourning, much as we mourned the death of the Underwood Champion, joined in death with the Royal Standard and a Smith Corona, and cursed IBM and Microsoft. And yet we poets will carry on, for we have always written because we have no other marketable skill.


OR IF YOU PREFER BINARY

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THE SKY ABOVE

Only in New York will you find a giraffe looking up at taller buildings
and not thinking this the least bit strange. People always look up at
buildings and it is never strange, but people know that giraffes must
be different and their looking up is by its very nature strange. Giraffes
look down at people as well. This is not strange, and people accept this
although they are usually not pleased. People do not like being looked
down upon. Not even by giraffes.

E-MOTION

 She says she is angry and he finds that easy to understand.  He as given up on anger, he finds it too exhausting and ultimately of such little value he has moved permanently on to cynicism and disdain.  She says she finds little benefit in either, and having a certain amount of faith gives her the only premise she has found for moral superiority.  He claims he has never felt to superior to anyone, and he knows it is a lie when he says it, for he feels superior to most, except her, for he fears that would anger her.  He has felt the passion and heat of her anger an it is not a place he wants to be, but he cannot be away from her for any length of time or he finds his cynicism replaced by longing and that borders on real emotion, which is what he most dreads.  Well that, and Brussels sprouts with cheese. Almost any cheese; the thought of loss of love, and under cooked asparagus.

HANGING

She says she feels like she is getting to the end of her rope. He tells her to hold on more tightly, that he will search for additional rope and when he finds it, tie the new rope to the old. She says he could just go out and buy a new rope, much longer that the one to which she is clinging. He says she would have to pay for it and to get the money, she would have to let go of the rope to which she clings. She lets go of the rope and walks away, leaving it in a jumble at his feet.