MASTER CRAFTSMAN

He waited patiently in the queue
until, after two and one half hours
he approached the battered metal counter.
The young, bored woman, chewing at her gum
asked the usual question, have you
looked hard for work this last week?
I stood in many lines, for hours on end
in my battered old shoes, that is
more work than you can imagine.
Each night I would soak my feet
for hours in the small sink
hoping the swelling would go down.
Each morning I would find another line
or two, if they moved quickly, but
at the end of each they would ask
the same question, what skills do you have
and I would tell them there are
few better than I at standing in lines,
and they would sheepishly smile
and thank me for my patience
and that is why, again this week,
I ask that you stamp my book
so I can stand in the other line
and wait patiently for my check
which I can take to the small bodega
waiting calmly in line to cash it
to buy what canned goods are on sale.
Then I will take my cans
and carefully line them up
on the kitchen counter, and marvel
at how patiently they stand in the queue.


First published in Pearl, Vol. 31, 2002

HIGHER ORDER

Among certain species of spider
at the moment of arachnidal orgasm
the female devours her mate
for the protection of the young.

The lion stalks his prey, then leaps
tearing flesh to sate a hunger
born of the endless sun
beating down on the grassy plain.

It is left to man to hunt
for trophy, for proof of dominion
over all else, as promised
by a self-created God.


First published in Albatross, Vol. 13, 2001

SLAINTE

It is just that sort of summer day
when the sparse clouds crawl ever more slowly
across the city, peering down, as if wishing
they could end their journey, knowing this won’t happen.
On the fields of Falkirk and Culloden Moor
stained with the blood of ancestors who, only now,
claim me as one of them, allow me to wear the tartan,
the clouds build and flee without ever pausing
to peer down on the carnage below.
They want only to move on, continue the passage,
give endless chase to the sun, certain
they will fail and fall, only to take up
the chase again onward into eternity.

VLADIMIR

Krevchinsky froze
his ass off on the Siberian plain.
The gray concrete box
was traded for concrete gray skies,
the whistle of the truncheon
gives way to winter’s blasts.
It was in many ways easier
when the beatings came
neatly marking the days
dividing days between pain
and exhaustion, all under
the watchful eye
of the meek incandescent sun
dangling from the ceiling.
In the camp day and night
are reflections of an unseen clock,
seasons slide
from discontent to depression.
The prison of the body is finite
built block on block,
the prison of the soul
is vast, empty, dissipating life.


First appeared in HazMat Review, Vol. 1, No. 2 (1996) and later in Legal Studies Forum, Vol. 30, Nos. 1-2 (2006).

ELLIPSE

He lies on the steam grate
under a thin blanket and plastic
garbage bags, sleeping soundly
lulled by vibrations of a passing car,
back to the Ellipse and grand white house,
oblivious to footfalls of tourists and joggers.
Steam seeps upward through his tattered clothes,
he is back in-country, lying at the fringe
of the jungle, awash in sounds, neat
cast up from furnace earth, cutting
through fatigues and the heavy canvas
and steel toes of the boots, into skin,
to pool on muscles held taut, twitching
at the first heard whoop of chopper blades
or stirring of branches and flora
in still summer air which hangs, a shroud.
Sun rises slowly, bathing the obelisk
in a faint peach glow, he rolls, crushing
the fading, wrinkled photo of three boys
lost, from a different world, standing
in beer soaked mirth, leaning on rifles.
One night, trees oozed forth
shadows, black angels, and his hand
resting in a pool of blood and viscera
with whom he had roamed the bars
of Saigon and Bangkok, invincible knights
before their armor turned to rust.


First appeared in Luna Negra, Spring: 1997

TEXTURAL MIND

Somewhere in here there is
a hidden irony, not irony really,
but a close enough approximation.
We are creatures of softness, we
relish textures that yield to our touch,
would rather be swaddled than armored,
vastly prefer the kitten or puppy
to the armadillo or porcupine.
It’s all about softness really.
And despite this primal desire
for pillows and down filled duvets,
when it comes to measuring value
we’re all about corners and hardness,
about solidifying our financial position.
And while we crave bills and coins,
our ultimate measure of success
are those crystals formed over eons,
made hard by pressure and time,
for those are the jewels of our existence.