an old writer and his words

  • ABOVE IT ALL

    The cat likes nothing betterthan to sit atop the kitchen cabinetswithin easy reach of the ceiling. We thought at first it wasa place of safety, less to fearin a new home, new people. We know better now, for shegoes to high places, cabinetsbookcases, when the meditation bell rings., She’ll climb down afterthe ending bell rings,…

    Lou Faber

  • PERSPECTIVE

    It is always, the artist told me,a question of angles and elevations,but I am sure that was just his perspective. Dali threw all of that out, madea pretty good living at taking perspectiveout of his work, replaced by fluidity. For Dali that fluidity resultedin a fair bit of liquidity, which wasan irony not the least…

    Lou Faber

  • Seizei’s Poverty 無門關 十

    Sozan shoutedto no onein particular“You may yet havethe finest wine, butonly when youhave nothing willyou taste iton your tongue. A reflection on Case 10 of the Mumonkan (The Gateless Gate Koans)

    Lou Faber

  • REFUSE TO RECALL

    We have now forgotten whatit is like to take flight, to seek,to finally find a true freedomfrom an always grasping land. Once we did it out of necessity,lives incomplete, prisonerswho committed no crimesave those of thought and faith. Now we only claim to admirethose who seek what weonce did, watch them withmock awe, but deny…

    Lou Faber

  • HOUSING CRISIS

    I laid it outwith great care, insuredthat it comported bothwith my idea and sound engineering. I drew it witha draftsman’s pencil,measured each dimensionat least twice, visuallytested every joint. It ws the culminationof a lifetime of trying,my final success, afterwhich I would stop,there being no needto improve on almost perfection. Building it took time,but I completed…

    Lou Faber

  • WITHIN WITHOUT

    Today I pausedand had a conversationwith my mind, and found itremarkably enlightening.It wasn’t a terribly long talkfor I quickly ran out of things to sayand I would have swornit had heard them all beforeand anticipated me fully.In the end though,I did have one advantageand simply got upand walked awayand that caught itwholly by surprise.

    Lou Faber

  • WEAVING

    A length of threadcolorful to be surealone, easilyignored, sweptaside. Woveninto a tapestrypart of a picturetreasuredfor beauty, ordepicting horrorbut remembered. Countless threadscolorfulalonetogethertelling taleslockedin memory. First Published in New Feathers Anthology Spring 2021http://www.newfeathersanthology.com/new-feathers21.htm

    Lou Faber

  • TIMING

    I spend my daylooking at clocks, timealways present but neverknowing if they tellthe right time and whatdifference it would makeif it were right or wrong.Ostensibly time isn’t relativebut I cannot determine to whatit isn’t relative, so I just go alongwondering what time is.

    Lou Faber

  • DECISION TIME

    Checking the calendar, I seethat today I must makea profound decision that willaffect my life for years to come. I am certain it will not bea simple decision, importantdecisions seldom are, and thisoffers multiple but no easy choices. I have long taken the facile wayaround the issue, a straightforward“same as everyone else does”approach that has…

    Lou Faber

  • KANNON’S STATUE 鐵笛倒吹 語十八

    If you meet the Bodhisattvayou don’t ask someoneto carve the image from your mind.To the carver, she weighs but an ounceand can be carriedon his fingertipbut try and lift herand you will not be ableto move her from her place. All Buddhasare one Buddhabut his Buddhawill never beyour Buddha. A reflection on Case 58 of…

    Lou Faber