an old writer and his words

  • RULES

    W. Somerset Maugham suggestedthat there are three rules for writinga novel, but no one knows what they are.I suppose the same could be saidfor writing poetry, with a twistfor there are three rules for thisas well, but everyone knowsprecisely what they are not.Writers and poets must be rebels,writing what must be saidand damning the consequencesfor…

    Lou Faber

  • RINZAI’S GREAT ENLIGHTENMENT

    If you ask your teacherto tell you all you needto know of Buddhismdo not expect to receivethe dharma, to hearthe teacher recite sutras.A truly wise teacherwill tap you on the headand show you to the door. A reflection on Case 86 of the Book of Equanimity (従容錄, Shōyōroku)

    Lou Faber

  • IMPENDING

    At the most opportune moment it will happen. No one knows when that moment will occur so they must be ever vigilant. It will come possibly without warning and they do not want to risk missing it, for it may never happen again. So they devise, rehearse and prepare an elaborate scheme so that it…

    Lou Faber

  • THE NATIONAL TEACHER’S SEAMLESS TOMB

    If a teacher asks youwhether you are searchingfor this or for thathow do you answer him?If you say for thishe will frown, butif you say for thathe will also frown.If you say there isno this or that,there only is,he will smile the smileof the Buddha. A reflection on Case 84 of the Book of Equanimity…

    Lou Faber

  • A PEELING

    Why do we persistin peeling the onionas if expecting wewill find anythingother than onion below?We cling to false hopeknowing in the endthere will be nothingdespite our efforts.We are the oneswho curse the coreof the apple asspace taken wherefruit should benever imaginingthere could be nofruit if nature choseto grant our wish.

    Lou Faber

  • EDGING

    We are good at borders.As much as we like drawing them,taking a bit more perhapsthan we ought, settling if forcedfor what is right or at least just,we like crossing them more.There is adventure in crossinga border, more so if you can do itwithout being invited, seenor captured and turned away.How do you think we got…

    Lou Faber

  • UMMON’S SOUNDS AND SHAPES

    What is the soundof enlightenment?What is the colorof nirvana?How do youperceive enlightenmentand see nirvana?A sound maybring enlightenmentif you do not hear it,a color may leadyou to nirvanaif you do not see it. A reflection on Case 82 of the Book of Equanimity, Shoyoroku 従容錄

    Lou Faber

  • SOLITUDE

    We are often blessed with solitudeyet we consider it a curse,for being alone can be difficult,more so when it is with yourself.The cacophony of the mindhas no off switch, and the outersilence is like a volume knobturned slowly to maximum.It can be bearable, but thereis always a lingering fearthat it may have no end point,that…

    Lou Faber

  • NANQUAN’S “NOTHING SPECIAL”

    While you are sitting zazenfacing the wallif your teachertaps you on the shoulderand asks what you are doinghow do you respond?If you say “I amdoing zazen,”he will frown.If you say “I amfacing the wall,”he will frown, butif you say “I amdoing nothing”he will smile. A reflection on case 87 of Shinji Shobogenzo 真字正法眼蔵 (True Dharma…

    Lou Faber

  • YUNYAN SWEEPS THE GROUND

    If your teacherapproaches you asyou are sitting zazenand asks if youare working hard,how do you answer?If you say yes he willchide you for zazenis not work, butif you say no, hewill tell youto work much harderat your practice. A reflection on Case 83 of Dogen’s Shobogenzo Koans (True Dharma Eye) 正法眼蔵

    Lou Faber