MUSING (4 HAIKU)

Out the plane window
a lake or a sea of clouds
Why does it matter?

 

during an eye blink
the butterfly spreads its wings
galaxies collapse

 

Cats curl in furred sleep
the moon crawls across the sky
a monk awakens

 

leaves cling to the trees
the rivers flow more slowly
the stone is unmoved

HARLECH CASTLE

stones speak in lost tongues
to sheep grazing by the wall
clouds gather laughing

voices of dead kings
echo off cloud shrouded hills
she whispers in dreams

a November wind
cuts deeply across the keep
distant hills crying

slash of claymore
glinting in the morning sun
bird with wings unfolded

moss encrusted stones
remember long past ages
sun smiles knowingly

distant bay waters
stare lovingly at the stones
winter wind grasps me

echoes of the pipes
reverberate in mourning
village awakens

a lone sailboat
floats aimlessly in the bay
dead kings laugh aloud

winter wind whispers
fingers touching ancient stones
laughter of a gull

her smile reaches out
across the expansive sea
King Edward approves

sheep dot the hillside
in the great castle’s shadow
slowly munching grass

ever fragile moss
dances on November winds
remembering once

RIVERS

I have never been
particularly one for rivers.
Like everyone, I’ve walked
along their shores, listened to them
gurgle under remote bridges
but otherwise never
paid them much attention.

There’s an old Buddhist saying
you can’t step into
the same river twice,
but that presupposes you
step into the river the first time.

I remember city rivers most
no banks, concrete walls from which
you cannot step
so much as fall.

Once rivers were different
they sounded different
calling out clearly
if you would only listen
but we were all
Siddhartha then.

Rivers are borders
easily crossed, the Genesee
walking the railroad trestle over
the Upper Letchworth falls
the girls faces frozen in fear
until we stopped, mid bridge,
and looked down
at the water careening
over the rocks, carrying off
the bravado and childishness.

The Schelde, with
great ships down stream
at its receding docks
leaving only Antwerp’s
waterfront bars
where it is easy to stumble
one drink or many
on the cobbled streets, where
the ancient words muttered
in the old Synagogue
are mummified, placed
in sarcophagi of religious fervor.

The Sumida, four blocks
from Senso-ji, and the incense
burner from whose joss smoke
I rubbed my heart,
bowed before the temple
and, at the saffron robed
monks urging, wrote her name
on a thin paper copy
of the heart sutra which
he folded into a crane
and dropped from the bridge
watching it drift slowly
toward the sea.

 

The Afon Dwyfor, more creek
than river, where I sat
next to Lloyd George’s grave
outside, barely, Llanystumdwy
overlooking the churchyard
and we’d laugh
at the absurdity of it all,
he long dead, I in love
with a woman whose lips
I could taste from a single kiss
on a second date, and
the river whispering “tell her.”

SETTLING

The old, weathered maple
leans into the sun, its trunk
stroking the cobbled cottage
which sits against the foothill.
The square window peers out
over a wildflower garden
as the roof’s peakline
settles comfortably
into old age.
Walking around it I see
the back roof has collapsed
the back wall ever threatening
to return to the earth
of its mountain home.

EVE OF ENLIGHTENMENT

Cats have more in common
with snakes that we care to recognize.
She said this with a straight face.
He wanted to laugh at her, but dared not.
She didn’t take laughter kindly
when she thought it was directed at her.
He calmly asked her to explain.
It’s simple, she said, with feigned
patience, both can slither around,
are expert at hiding when they wish,
and as you have now so clearly demonstrated,
much as Adam did, both of you the hard way,
both snakes and cats are smarter
by far than your average male human.