EMPTY PLATES

The old gods have taken
up residence is small casitas
on the edge of Saguaro
National Park outside Tucson.

It isn’t Olympus, but the
property taxes had become
unsustainable with so few
bothering to offer tributes.

They have gotten over
their jealousy of the new
gods living in the valley,
with their European

villas, yachts and getaways,
for the old gods know well
how it will all end: there
will be no phoenixes when

the end approaches and
the newer still gods offer
their answer to prayers
not then yet even imagined.

YOU’RE OUT OF HERE

The gods have ceased
to care about us, too
busy with other more important
tasks like fighting their
pending evictions from
Olympus and Asgard.

And the demigods have
never given a damn
about us, always preening
and imagining their
elevation, so we are left
to muddle along and we
know how that has worked
through history, so we
have turned away, anointed
ourselves, declared we
are holy and built a heaven
and hell as a final middle
finger to the once gods
who can all go to hell.

ETHEREAL

She appeared without notice,
not there, then there, she
half angel, half siren, half mad.

She appeared like Casseopaiea’s
faint shadow taking form,
stepping out of the sudden fog.

She was nymphlike, sylphan,
demanding attention, craving
the eyes of all who passed.

No one spoke to her, whether
out of fear or disinterest and she
grew angry, larger still, until

the full moon was clouded over,
Casseopeia returned to her throne,
and the ethereal one was gone.

A SEPTEMBER SKY

Lie back, I said to her,
just stare up that way
stare into the sky
without any clear focus.
Do you see him now,
the hunter with his bow
outstretched, the belt
cinched about his waist
locked in his eternal search
for the prey that would free him
from his nightly quest.
And there, I pointed
can you see the great bear
gamboling with her child
or there a goddess reclining
on her heavenly throne.
Now she said, that’s
not it at all, not even close,
look over there, don’t you see
a small child crying out
for her mother,
and there, two lovers
locked in an eternal embrace,
their lips barely touching,
hips pressed together
reclining as one,
and there, clear as day
a cat lying curled
as though sleeping
in the warmth of a hearth.

Publshed in As Above, So Below, Issue 9, August 2022
https://issuu.com/bethanyrivers77/docs/as_above_so_below_issue_9

THE ANCIENTS

Night and the ancients retreat
to a dark corner of their celestial prison
from the promised arrival
of the yellow dwarf from which
they know we demand a presence.

We ignore the ancients now,
ignore those who cast them
into their prison, ignore
the acts for which they were
banished, care only to name them,
and they know that our recognition
is their only grasp on existence.

Each day their tiny cousin
demands our full attention,
defies us to look deeply at him,
pleased that he is, for us,
the center of our universe.

FORGOTTEN SOULS

From the heart of the inferno
Dante and Lucifer grow bored
waiting, waiting for the ferry
while Charon stops for lunch
yet again at a Greek diner
in the heart of Hell’s Kitchen.
They take up a game of catch
tossing Molotov cocktails,
raining fire onto the brimstone,
setting the Styx ablaze.
Each knows this is not necessary,
for necessity is a creature
of heaven and there is no room
for the extraneous here
in the realm of forgotten souls.
We watch from deep within
a nightmare of our darkest
memories, certain that heaven
must await us, or purgatory
if that is how our fate
is to finally be written.
The angels dance on the ceiling
waiting for the precise moment
to break Morpheus’ grasp
and drag us back to our reality,
to continue our dance
between heaven and hell.

First published in Fresh Words Magazine, Vol. 2, No. 3, June 2022
https://drive.google.com/file/d/1G9eVgBt1ZS1syN9RruNQLzt7-JVq04sY/view

THE QUESTION

Even long after he had left
his childhood behind, or such
of it as he had actually had,
he could still stare up into
the night sky, at ceiling of stars
with more than a little awe.

And even though he had left
childhood behind, no one
had yet answered the one
question his parents ducked
time and time again, one
so simple a child knew
its answer, but asked anyway,
for validation or irritation.

If God created the heavens
why did He or She arrange
the stars so that people
could see in their order
other people, lesser gods
and all manner of animals?

NAMELESS ONE

It is truly unfair, sucks really,
that proximity has cast me
as nameless, yet I am forced
to wear all manner of terms
that fit their mood at any
given moment, and even then
they can’t seem to agree.

You can say it is petty, but I
am jealous of Titan, and hell
even Phobos and Deimos
have proper names, and they
are a misshapen, dim pair.
Maybe I should blame
my companion who rejected
a host of names, wanting
to be called earth, but why
do all the major planets have names
while I am tagged with,
nothing more than moon.

Santa Cruz Wharf, September

The quieter you become
the more you can hear.
— Baba Ram Dass

Orion lies over the wharf
staring at the moon, dangling
like an unyielding eye, barring sleep
while below the waves wash
onto the shore, licking the pilings
and tasting the sand, a calming roar
broken only by the barking
of the harbor seals.
It is not a night for hunting
the bear has fled over the horizon
preparing for the coming winter
and the hunter tires from the chase.
A gull nips at his heels, and plunges
back into the swells, he must be
content with the odd fish and scraps
from the strange ones who mass
on the wharf each day and retreat by night
until there is only the hunter
and the goddess and two young men
curled into the sand.
I stand on the balcony
and stare at the hunter
wishing that sleep would come,
that the white eye would blink,
but the waves wash in
and the harbor seals bark
and the stars beat
a slow retreat.

First publshed in Lighthouse Weekly, January 17, 2022
https://www.lighthouseweekly.com/post/geography-and-santa-cruz-wharf-september

BEGGAR’S TALE

I speak clearly, concisely
in an ancient, long forgotten
tongue that none understand.

I tell my tale, leaving out
nothing, a summoner
in a deaf world, whispering

of coins, pulled from
an empty pocket and cast
at your feet, soundless.

I point to signs, lettered
in my careful hand, without
meaning, cryptic to you

You urge me to trust
in your god even as
you deny me my own

who sits by the gate
wrapped in rags, waiting
to for rain to melt the pillar.

First published in Glimpse, Issue 54, Fall 2021