• HOME, NIGHT

    Living in a bamboo grove, she said,is very much like living in an old house. Look up at noon, into the canopyand imagine you see rays of lightpiercing the ill-thatched roof. Listen to the growling winds of autumnand hear the ghosts of the old housemaking their way up creaking stairs. And when you truly find…


  • ASK OF THE SEA

    When you ask me of the sea,living, as I do, fifteen milesfrom the nearest ocean, itis not the sandy beachesof Hutchinson Island I recall,nor the crowded sandboxthat is Fort Lauderdale’s beach. If you ask me of the sea,it is perched on the horizon,far in the distance, lookingout of the kitchen window,or perhaps that of the…


  • EYES HAVE IT

    It is the eyes that fall in love,the heart that follows likean always faithful shadow,and the mind and reason thatare bound to darkness and silence. That is what I learned in my dreamlast night, or my recollection of it, for dreamsmay fade in the sharp light of morning. But dreams have a potent magic, a…


  • MELODY

    I sing a shattered songof someone else’s youththe melody forgottenthe words faded into oddsyllables heard in my dreams.The coyote stands at the edgeof a gully staring at meand wondering why I slipfrom the hogan throughthe hole punchedin the back wallslinking awayin the encroaching dark.The priest, his saffron robespulled tight around his legsin the morning chill,stares…


  • IN THE WETLANDS

    Walking through a nature preservelike Wakodahatchee Wetlands youmust always keep a sharp eye. The birds are everywhere, they areunavoidable and even the alligators,imagining themselves coy are soon enough easily recognized,snouts appear just above the surfacewary eyes scanning the shore. Here you are also surroundedby poems, but they are far moreable to hide, among the eggs…


  • WHAT’S IN A NAME?

    He only wants to knowmy spiritual name, “your falseworld name is of no matter.” I tell him I have only one name,the one my parents gave me,and it has worked to this point quite well, and no one has eversuggested I might need another,although my Jewish friends have two. “No,” he says, “your spiritual nameisn’t…


  • SŌZAN’S NO CHANGE 正法眼蔵 三十

    In entering, do you arriveor are you leaving.In departing do you leaveor are you arriving.Can the gate answeror does it chooseto remain silent.The mountain shoutsthe answer but onlythe river can hear it. A reflection on case 30 of the Dogen’s Shobogenzo (The True Dharma Eye)


  • THIS VERY MIND 無門關 三十

    You are forever seekingthe path, as thoughit will give you a sign. Seeking the Buddha is goodbut looking for himis ultimate futilityfor the eyes are incapableof looking within. A reflection on case 30 of the Mumonkan (the Gateless Gate Koans)


  • SEPPO CUTS TREES 鐵笛倒吹 二十三

    Will you spend all of your time sharpening the blade or will you use it on the tree and if you strike the pith what will you say then? To speak of the sap flowing freely from the wound of the axe is utter foolishness it has no taste on the finger better to feel…


  • HOLY VISIONS

    Night has swallowed the city and in the laundromat, dryer 42 decries her loose drive belt. The young girl turns, “can you see it the Virgin Mary, in the glass porthole”. No, I think, only white cotton panties and several pair of jeans in endless rotation. “She speaks to me, asking for my forgiveness for…