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WINDSONG
Far out on the mesa the wind sings an alluring song to the melody of the wooden flute. You can sit among the sage, and like the orange orbed coyote around you, stare up at the moon and look for the spirits of the ancient ones that lived in these mountains, the tricksters who…
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KANNON’S STATUE 鐵笛倒吹 語十八
If you meet the Bodhisattva, you don’t ask someone to carve the image from your mind. To the carver, she weighs but an ounce and can be carried on his fingertip but try to lift her and you will not be able to move her from her place. All Buddhas are one Buddha but his…
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IN A MOMENT
Tomorrow, unlike yesterday which no longer exists, everything is promised and nothing guaranteed. There is no eventuality in the present moment and this is where we are forced to live.
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EVENT UALLY
A week from this Thursday something will happen that no one could have ever foreseen. This is the beauty and the horror, at once, of our limited vision, afraid to see the present although it is all that is clearly within our visual field. Instead we look back into the shadows where memory substitutes for…
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KEMBO’S TRANSMIGRATION 鐵笛倒吹 六十七
Awakening in the morning when you first see the sun and the dew resting on thee leaf which eye are you using. When you stare into the mirror through what eye do you see, and what eyes stare back at you. When you see the deer lying in the road which eye do you…
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TIPPING POINT
The hardest thing is knowing that this precise moment, this precise place is the tipping point, and things could go either way from here, although the Buddha would suggest that there are ten directions in which everything always can go. You cannot pause and reflect on this, for this precise moment, this precise place…
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DOING THOUGHT TIME
The hardest prison to escape is the one whose walls are built by the mind in fear and trepidation. It is like the open gate you dare not enter fearing that you are leaving and will not be allowed to return. Atop a pole there are an infinite number of directions in which…
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IF
It is never if – we have no control over that, and if we did, we wouldn’t be able to control the when and the how. And if that weren’t enough, if we need if so badly, why are we so often completely uncertain what would happen if not.
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NANSEN’S REJECTIONS 鐵笛倒吹 四十四
If you come before Master Nansen, will you come holding the posture of a monk or a lay person, and when Nansen turns you away, how will you exit the room? Nested hands and gassho hands – both are so easily manacled – why leave the room at all? A reflection on case 44…
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THE TRICKSTER RESPONDS
The man liked to cry out into the night, asking questions for which he knew there could be no answers, or if there were, they would be things he would never wish to hear. The coyotes in the hills would listen to his pleas, his entreaties, his moaning, and they would remember the spirits of…
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an old writer and his words 