an old writer and his words

  • PHOTOGRAPH

    I saw a picture of you today, althoughI can’t be certain when it was taken,and while I can easily say that youlook exactly as I remember you,that is saying nothing really,for moments after I took the picturewe said goodbye to each other,intending to meet again, knowingthe chances of that were minuscule. I have returned your…

    Lou Faber

  • TIMELESS

    The wonder of clocks in old towns and citiesis that few actually care if the timethey portend is accurate or an approximation. The importance often seems inverselyproportional to the size of the place in whichit is called upon to render a temporal verdict. Best of all are the clocks whose handshave ground to a halt,…

    Lou Faber

  • LESSONS

    The most important lessons he taughtwere in those moments when he wasabsolutely silent, the smile acrosshis face shouting across the backgrounddin of everyday life, his eyes widewith a sort of childish awe that I hadlong since given up as adolescent. The child sees everything for the first timeregardless how many times she hasgazed at what…

    Lou Faber

  • NEATNESS COUNTS

    Ice, he said, is clearly an inventionof Satan, the ice cube a scaled downversion of that corner of hell of whichno one ever speaks, so little known. And stop and think, we got by wellfor eons without a cube of ice, unlesswith blade we chipped it froma nearby glacier or left water outin the dead…

    Lou Faber

  • BANZAN’S A BETTER CUT

    At the butcherbe careful what you askfor if it is a better cutthe wise man with the knifemay slice off your handand present it to youwrapped neatly in paper. But will it beyour rightor your left? A reflection onCase 21 of Dogen’s Shobogenzo (The True Dharma Eye)

    Lou Faber

  • IN ALL THE WRONG PLACES

    It is all well and good to believethat you will know it when you find it,that it will be so obvious you could not miss it. You’ve been down that road before,and on several occasions were certainthat you’d found it in her face, or hers,in her smile, or her laugh, or oneof their soft touches…

    Lou Faber

  • Q.E.?

    Religion, he said, is inherently illogicaland the older the religion, the more illogicalit becomes, accreting absurdity over time.A corollary of this proposition is thatthe more organized a religion claims to be,the more its spirituality is buried underrules and regulations which only illustratethe principal proposition set forth above.Humans create religion not to explainthe unexplainable but to…

    Lou Faber

  • THE MISSING KEY

    You said you’d leave a keyunder the mat on the front stoop,or was it taped atop the light fixturejust to the right of the door jamb top? Well I checked both placesand there was no key to be found,so perhaps it slipped out, got kickedand someone absentmindedly took it and saved it meaning one dayto…

    Lou Faber

  • TOZAN’S GOING BEYOND BUDDHA

    The greatest speechis given onlywhen the mouthfalls shut.To talk of peaceis to beat war with peace,to speak of waris to be at war.When listening disappearspeace reemerges,when peace emergesthe listener appears. A reflection on Case 12 of Dogen’s Shobogenzo (The True Dharma Eye)

    Lou Faber

  • BLUES

    He is for it or he isagainst it, and if you couldpredict the vacillations youcould develop the meansof measuring the flux of sanity. You could as easily graspthe water flowing downriverand by asking select questionsdetermine the next heavy rain, but the odds are goodyou will be outside whenthe deluge begins, andonly its ultimate weightand duration…

    Lou Faber