an old writer and his words

  • LONGER

    Some may wonder why, lately,it is taking me forever to reada relatively short novel when Inormally read at warp speed.The last time this happenedit was either Calvino’s IfOn A Winter Night . . . orperhaps Michael Ondaatje’sThe English Patient bothof which presented the sameobstacle that I could not clear.With those books and Rulfo’sPedro Paramo I…

    Lou Faber

  • RULES

    I learned from John Berrymanby way of W.S. Merwin that as a poetI should paper my walls with rejection letters.I thought this a good idea whenI lived in a small apartment, butall too soon the walls appearedto be growing ever smallerand I was papering over paper,like the latest in a too longline of tenants who…

    Lou Faber

  • FOR ME OR THEE

    Do not ask me why I write poetrynor for whom I write poems.You will not be pleased by the answer.You assume I have an audience in mindwhen I pick up the pen and put it to paper.That would be a false assumptionfor only the occasional poet writeswith a specific audience in mind.The rest of us…

    Lou Faber

  • RULES

    W. Somerset Maugham suggestedthat there are three rules for writinga novel, but no one knows what they are.I suppose the same could be saidfor writing poetry, with a twistfor there are three rules for thisas well, but everyone knowsprecisely what they are not.Writers and poets must be rebels,writing what must be saidand damning the consequencesfor…

    Lou Faber

  • YOU OF COURSE, OR NOT

    Someone, at a reading, asked me“who do you write for?”I avoided the obvious answer,“You” since he was there lesthe say someone dragged him alongmost unwillingly and my readingconfirmed his initial reluctance.The honest answer is that I writefor those who might stumbleacross my words, might seethem online browsing, or comeacross them in a coffee shopwhere I…

    Lou Faber

  • DA CAPO AL FINE

    “And then it all came crashing down around him.” That was going to be the last sentence in his novel. He had known it would be the last sentence for years for it was the perfect ending, one that left the reader wondering “what then?” Seeing it on the monitor only confirmed his judgment that…

    Lou Faber

  • TY NEWYDD

    In the gently aging house,replete with writersthere are endless roomsin which the muse dartsdispensing her soul.I prefer to sit with the catcurled in an overstuffed chairher head risingand falling imperceptiblyour breaths harmonic.We commune in unspoken dialoga language of silencebespeaking volumesof our shared existence. First published in The River, Sandy River Review, March 2024https://sandyriverreview.com/2024/03/30/seeing-you-again-next-stop-riding-ty-newydd/

    Lou Faber

  • A READING

    He walks up to the podiumsmiling at the introduction he wrotedelivered by someone who likelyhad never read his work, and set his bookand notes down on the lectern.As he begins to read he cannot let onthat he is a magician poet for theywould demand a trick and allthat he is prepared to do this nightis…

    Lou Faber

  • ON OCCASION

    There is a hidden dangerin being a poet that most people,other than fellow poets and some writers,have a problem grasping.Once you let it be knownthat you are a poet eventuallysomeone will ask you to writea poem for a special day or person.When this happens I gently tell themthat I cannot write occasional poetry.Inevitably they ask…

    Lou Faber

  • WRITER

    He knew he had the novel in him. He had no idea where it was hiding, but it was there and all he had to do was to find it. He had looked in most of the obvious places but all he had found was memoir and the odd bit of non-fiction. They were fine…

    Lou Faber