CHANGE

They lie in the field uprooted
slowly desicating in the harsh sun,
the fruit they might have borne
trapped in the dying flower, the seed
of another generation denied.
It was not supposed to be like this,
the sun should have fed them,
the soil nourished their souls,
their stalks growing thicker, drawing
ever more life from the earth..
But here they now lie, torn away
left to wither, and we mourn them,
and the loss of what might have been.
The question how we or those like us
could so callously disregard life,
and know that this part of our nature
will never be easily overcome.

SUSIE

What do you say
on the loss of a child?
We sat in the lounge
drinking a vile potion
from a hollowed pineapple
giggling insanely
for no reason.
We wandered the tunnels
faces painted,
clowns in bedlam.
We lay together
on a mattress
on the floor and listened
to Aqualung
my arms around you
both, but sleep
came slowly and we talked
until night ran from
the encroaching sun.
I can feel her soft blond hair
and see her smile
as we walked
hand in hand in hand
along the abandoned
railbed, dreaming
of what might be.
As I struggle with sleep
and with a new day
I can hear the tape end
snapping at the end
of the ever spinning reel
wanting only to hold your hand
and stroke your hair.


First appeared in RE:AL The Journal of Liberal Arts Vol. 23, Issue 2,  1998

FORGOTTEN PROCLAMATION

He was quite tall for then, even
tall for now, and that hat must have
added almost a foot, a mortician
likely as not, if not a lawyer.
He wrote eloquently, even if his voice
was not quite of his stature, his words
always had impact, digging in the
gray and blue bled soil of Pennsylvania.
Today would be eleven score
and nineteen and I doubt the forefathers
would recognize the creation or want to.
7800 dead, 27,000 wounded, all watered
the Pennsylvania Farms with tears,
and today the soil has been given over
to stark down signs telling us
what they think we ought to know,
devoid of pain, devoid of impact.
Eleven score and nineteen
and we say to those knocking
at our door, “not now, we’re full,
there is no room at this inn
for the likes of you and yours.”

VISION

He is bent over, walks with a shuffling stumble. He follows the path, inscribing it center or as close to it as he can get. He wants to say hello to those who would acknowledge him. He doesn’t understand why his mouth refuses to smile, refuses to form even the simplest of words. All he sees is her face, he sees it clearly when he walks each morning as they used to, and he will follow it until he sees it again the loamy soil they will share soon enough.

THE SON

He hangs on the guest room wall,
simply framed in black, adjoining
his more ornate, Cheshire-
cat smiling sister. He isn’t brooding
really, there is just a certain needful
sadness, as he stares out, imagining
how he pictured things would be,
how they were supposed to be,
realizing here, they never were,
never will be, and although there is
no failure, no blame, he wears it
as his personal armor, still
so easily pierced by dreams.

BELLY OF THE BEAST

From within the belly of the beast
Sheol is a placid place, removed
from the waves rattling the timbers,

silent of the cries of the men
berating their fate, uncertain
as to the cause of their discomfort.

Let Nineveh burn, lets its people
scatter to the streets, let the King
stare out at the destruction and wonder.

He should need no prophet, no seer,
no interpreter of dreams to know
why all about him lies in ruin.

Inside the belly of the beast
it is warm, and comforting,
a womb from which one

should have no desire to be
cast out upon the land, or to drown
in the swirling waters of the angry sea.

There is only the hunger in the bowels,
and the blackness of a thousand nights,
a blackness darker than the shade

of the tree, which withers in the heat,
of the waters which disappear
before quenching the endless thirst.

Within the belly of the beast
there is no sound, no voice
to draw forth thoughts, no dreams

to disrupt the sleep that will not come,
only the void and the silence
and the cries that echo off baleen walls.

Nineveh lies in ruin, Sodom a pillar
of salt, the walls of Jerusalem lie
a jumble of stones, the oil of the lamp

seeps into the arid ground, and only
the weed springs forth to mark
the graves of the forgetting people.


First Appeared in A Writer’s Choice, Vol. 2, No. 1, Spring 1999

EROTHANATOS Vol. 3, No. 3

Just yesterday Erothanatos (from India) released its issue number 3 of volume 3, a collection of poets from several countries.  I was honored to have seven poems appear in this issue and you can find them here:

https://www.erothanatos.com/v3i3n10

But if you don’t have the time, one of the included poems was:

In a Prior Life I Was

Reznikoff, casting words to paper
after the last brief was filed,

Aleichem, finding peace
amidst the hordes,

Red Deer Running, watching
as the horse soldiers drew aim,

a child, never understanding
why the old ones only brought death,

a poor Jew, hung on a hill
from the crossed beams, for believing,

a ram, led from the thicket
to the altar, as the boy was freed,

alone in a hotel room
fearing sleep.