UNDER THE BED

There was a ghost
or two for a short while,
that lived under my bed
when I was three or four.

My mother said they
were not real, she couldn’t
see them when she looked,
so they were all in my mind.

I had to tell her that you
don’t ever actually see ghosts,
you just know they are there
because you sense their presence.

Mother’s ghost visited me
last night in my dreams, but
I reminded her that she didn’t
believe ghosts exist, and returned
to the dream she interrupted
and she . . . oh I don’t know what
she did, but she wasn’t there
and I suspect will not return,
which is entirely fine by me.

WRITTEN

It was written for all to see
but went unseen as no one
entered the portal willingly,
never sufficient curiosity
to offset the foreboding.
Everyone knew what it said
but knowing and seeing are
separated by an unbridgeable chasm.
It remained an imposed solitude,
an isolation inherent in location,
implicit in a world spinning
off its moral axis, time extended
and compressed, an irregular pulse.
It was written in a long
forgotten language, a warning
etched into the walls of time
faded from inattention, left
to stare out knowing the outcome
they would never see until it arrived.

GOOD RIDDANCE

I still marvel at the way
the mind can rewrite
the narrative arc of memories,
taking away sharp edges,
eroding or erasing some
too painful to relive, and
bringing others out
from deep storage, some
largely forgotten, to be
battled with in dreams,
demons wrestled to submission.

In my dreams I have had
a final conversation with
my step-sibling, who
told me of my father’s
death in a text message,
who never delivered my
nominal share of either
parents estate, who made
it clear I did not matter,
and in the dream I
pronounced him
dead to me and buried him
in a place my memory
can and will not visit.

SHEEPISH

As a child, when I
had trouble falling asleep
my mother would trot out
the ancient saw and tell me
to just count sheep.

I tried to point out
to her that we lived
in an upscale suburb
and there were no sheep
for miles for me to count.

This hardly deterred her
and she repeated her
directions, in a stronger
tone of voice that she thought
brooked no argument.

I did try counting sheep
but still couldn’t sleep
given my congestion
and sneezing from what
I learned was a wool allergy.

SMALL REFLECTION

It is that moment when the moon
is a glaring crescent,
slowly engulfed by
the impending night—
when the few clouds give out
their fading glow
in the jaundiced light
of the sodium arc street lamp.
It nestles the curb—at first a small bird—
when touched, a twisted piece of root.

I want to walk into the weed-strewn
aging cemetery, stand in the shadow
of the expressway, peel
the uncut grass from around her headstone.
I remember
her arthritic hands clutching mine,
in her dark, morgueish apartment, smelling
of vinyl camphor borsht.
I saw her last in a hospital bed
where they catalog and store
those awaiting death, stared
at the well-tubed skeleton
barely indenting starched white sheets.
She smiled wanly and whispershouted
my name—I held my ground
unable to cross the river of years
unwilling to touch
her outstretched hand. She had
no face then, no face now, only
an even fainter smell of age
of camphor of lilac of must.

Next to the polished headstone
lies a small, twisted root.
I wish it were a bird
I could place gently
on the lowest branch of the old maple
that oversees her slow departure.

First published in Rattle #23, Spring 2005

MOVING DAY

In my dream last night
I was moving a matress, queen sized,
probably with box springs but
it was wrapped, from my parents’ home
to my apartment, but not using
a vehicle, just pushing it
along the streets, obeying
all the traffic signals, using
my turn indicators, although
don’t ask why a mattress had
turn lights, just accept that it did.
It was arduous work, and I
hoped I’d soon get to the hill
that led down to my apartment,
for it would make the end
of the journey easier by far.
Unfortunately I never did
get there, I woke up first
wondering what the dream meant.
So if you can help me, I would
greatly appreciate your insights,
and you should definitely know
it was a Serta Perfect Sleeper
for I’m sure that makes a difference.

STORY

You are still there. You have a patience that I will not know in this lifetime. I know I can always find you, even though you never reach out to me except in my dreams. There I tell you my life story and you listen intently. You have no need to ask questions, knowing I will tell the whole story in due time, And time is one thing you have that I, increasingly, lack. So I’ll be back for another visit soon and you will be waiting for me, mother.

UNKNOWING

Twenty years ago today
and there was no band playing,
at least not for me, for I knew
nothing of you yet, and you
knew nothing of me either.

I have met you since
in a moment of silence,
looking at a yearbook picture
knowing what was not, what
never was or could be.

I recite the Kaddish
even though my Judaism
has been laid to rest,
knowing what is, and
imagining what might have been.

APPROACHING NIGHT

Arising into night
the departing sun
tangos away with its cloud,
memories soon forgotten.

Other dancers take the stage,
now a romance, now
a war dance, feathers raised
in prayer to unseen gods.

Night will soon bring
its curtain across this stage,
the avian casts’ final bows taken
the theater will darken, awaiting
another performance,
a new script tomorrow,
but for this solitary moment
of frozen grace, it is we
who write the conversation,
our lines sung by actors who
know only nature’s
unrelenting song.

First Published in Half Hour to Kill, August 2022
https://halfhourtokill.com/home/approaching-night-by-louis-faber

WEBBING

The giant spider in its black shroud
sits irritated in the center of its web
wishing it ever larger, demanding
that others enter, become enthralled
until it defines the parameters
of the universe the spider imagines.

The giant spider silently seethes
at the once gardener who, having
tasted the forbidden fruit,
has closed the screened door
as he reluctantly departed the garden
diminishing the web’s attraction.

The spider dreams of his new world,
knows his old one, the simple web
may be replaced, so he presses on
spinning all his resources in the hope
that others will come to accept
his crafted reality as their own.