EPITAPH FOR ANOTHER DAY

When I write the story
of my life, it will not be
me standing by the sea
staff in hand, waiting
for the waters to part.
It will be sand, endless
seas of sand, piled
around my feet.
I will not recount ten plagues
for there is only one
that matters at all
and it was not
terribly exciting,
no generation perished,
we weren’t overrun
with frogs or vermin
save the odd infestation
of cockroaches
and the passing rat
that makes faces
at the cat cowering
in the corner.
I could have climbed
that damned mountain,
but the thought of dragging
two great tablets back down
with the poor footing,
it just wasn’t worth it.
It has been over forty years
wallowing around in the sand
until it caked between my toes
and not a cursed thing
has happened, just sand
and writing on the sand
grows tiresome
after the first breeze.
Actually I don’t care
if I never see this new land, just
get me away
from this godawful sand.

First appeared in KotaPress Poetry Journal, Vol. 2, Issue 2, 2000
http://www.kotapress.com/journal/Archive/journal_V2_Issue1/journal28.htm

CONCEIVE OF THIS

No child, no youth
wants to imagine the moment
of his or her conception.
Now, that is the moment of personhood
in some places, a moment when
two cells become one and is
a life of its own, but it isn’t
the convergence of sperm and ovum
we avoid, but the act leading to it.
When you are an adoptee
and only later in life discover
your now dead birthparents
that moment, that scene
is a small void in your life
among larger voids you want to,
but cannot ever, seem to fill,
so it is left to your imagination
of time, place, circumstances
and ultimately action, but you ensure
that scene ends moments before conception.

HYMNAL

Open to page 147 of your hymnals.
There is nothing to sing there
for the words of promise once
found there have withered
and faded, carried off on now
toxic winds, so hold your breath
or whatever heaven you imagine
will be too soon be approaching
at a speed exceeding imagination.

You don’t remember how you got here,
things happened around you
when you weren’t paying attention
but, you say, what can you do
about it, it’s not your problem
so you are happy to let someone
else deal with it, you are sure
it will be dealt with if you
stay out of the way, do nothing.

So while you are blindly waiting
perhaps you can join the others
just like you, in your final prayers.

ONE MORE, MORE

That there is another shooting
comes as no surprise,
it is commonplace now, expected
and there are only questions:
how many this time, what
kind of weapon was used, what
motivated the shooter to do it.

What does it say when we define
mass killing as requiring three
or more dead bodies in one place.

The body of the single victim
is no less dead than the mass killed
but death by gun is so commonplace,
we roll right by it unless we know
the victim or the location holds
special significance to us.

So we have ceded our humanity
to the Almighty Weapon, all
we have are prayers, for we
are now too tired to be angry, and
mass anger is our only hope.

WHITE BREAD

He was nondescript, innocuous. He named his dog Dog. His cat was called Cat. He grew daring with his parakeet and named it Wings. He wore beige from head to toe. Even his Sunday best, his “weddings and funerals suit” he called it, was beige. People wondered if his underwear was beige. He swore that it was, but with just enough of a smirk people couldn’t be certain. His house was painted beige as were his roof shingles. His car was beige inside and out. All his furniture was pine or a light oak. When he died, they found a note with instructions on the funeral, the burial, every detail, on beige paper, of course. And they found the beige suit bag in the closet with the rainbow colored suit that he was to be buried in.

THE OLD ROCKER

I reached the point in life
where I know the Byrds were right,
I was so much older then,
I’m younger than that now, and
for good measure Jethro Tull knew
I was too old to rock ‘n’ roll
but far too young to die.
And yet I am still inchoate,
a product of the Big Bang, stellar
dust accreted temporarily.
And the Webb Space Telescope
has given me the next best thing
to immortality, for when the time comes
and I hope it isn’t all that soon,
when my body is cremated, that
momentary heat signature will
be seen in some planet in a galaxy
at the edge of the universe
some 13 billion years later,
long after my ashes will have
returned to the cosmos,
from where I came.

LEFT HANGING

Why is it that so many songwriters
have an intense need, a desire really,
to leave the listener wondering
in frustration at how the story ends.

I can forgive Leonard Cohen for his
Hallelujah for no one is quite certain
how many verses he wrote, although
more than 80 seems to be the number,
so perhaps a missing one or ten
concludes the various stories
the song has told through time.

And Harry Chapin did give us
an ending of sorts to Taxi,
in his song Sequel, but even there
he left the door ajar, but he died
too young, so any subsequent sequels
went to the grave with him.

And one offender I cannot yet forgive
is the Ode to Billy Joe, since really,
he’s gone but that wasn’t enough
for brother, and you’d think
he would have a name since
he married Becky Thompson,
and what kind of store did they buy,
why in Tupelo, was she from there, and
what, if anything, do we know about her?

BRAD AND I

Its painful to now say it
but perhaps Uncle Sam
got it partially right when
he shaved our heads and
had us march around
Lackland Air Force Base
as the war raged on in Vietnam,
but when you talk about Uncle Sam,
the bar is set rather low.

We did all look ridiculous,
from the large guy who once
was the town bully for certain
to the once chubby guy
sadly grateful he wasn’t
in the Army, (and I’ll let you
guess which I might have been)
and if we doubted for a moment
our sameness the Sarge was
more than willing to remind us.

And since I will one day
be cremated, I take solace
in the fact that my ashes
will be indistinguishable
from those of Brad Pitt.

A MOMENT

It is 1952, April, and I
am handed to the woman.
I am wrapped in a thin blanket,
the tall man is standing beside her.
I do not recall this, but this
is how it must have happened,
she finally a mother, he
a father despite infertility.
I do not recall her, the woman
who perhaps never held me
once I exited her body, who
hid me for nine months.
I mourn her now, knowing
she acted out of love, with hope
for me, but only the headstone
is her touch on my hand.

First appeared in Constellations: A Journal of Poetry and Fiction, Volume 12, Fall 2022

GOOD RIDDANCE

I still marvel at the way
the mind can rewrite
the narrative arc of memories,
taking away sharp edges,
eroding or erasing some
too painful to relive, and
bringing others out
from deep storage, some
largely forgotten, to be
battled with in dreams,
demons wrestled to submission.

In my dreams I have had
a final conversation with
my step-sibling, who
told me of my father’s
death in a text message,
who never delivered my
nominal share of either
parents estate, who made
it clear I did not matter,
and in the dream I
pronounced him
dead to me and buried him
in a place my memory
can and will not visit.