IN A HIDDEN CORNER

As stars go, of course
it is rather nondescript,
small, middle aged
stuck in a distant corner
of a not all that
impressive galaxy.

Yet each morning
it sweeps the sky
storing all of its kin,
even the biggest
and brightest, into
its own celestial closet
where they will
remain locked away
until it decides
it needs a rest
and lets them return
to once again
paint the sky.

CIRCLING

This morning as the bell
signaled the end of morning zazen
the whistling ducks took up
their song, circling the wetland
as if inviting me to photograph them.

They quickly grew bored waiting
and flew off to a place
I do not know, can not imagine.

Perhaps they will return
this afternoon, circle
in a duck like pose as I capture
them with the long lens, and this
will satisfy them for another day,
but perhaps they will not return
and punish me again
for my morning absence.

AUBADE

The sun peers through
the skylight, sneaks
catlike up the comforter.
He strokes her cheek,
they are drawn together,
lips touch,
toes twine,
hips press,
fingers trace,
the mattress a world
of infinite gravity.
Downstairs
the cat paces angrily,
the coffeemaker
thirsts for beans.

First Published in the 2005 Scars Publications Poetry Wall Calendar

MINDFUL

I saw the sun
rise this morning
over Mt. Hood, the
glow that announced
to the horizon its approach.
There should be
in the life of every man,
every woman, that moment
when seeing dawn
lift, peel back the shroud
from Mt. Hood causes the sudden
intake of just that much extra breath.

Publshed in As Above, So Below, Issue 9, August 2022
https://issuu.com/bethanyrivers77/docs/as_above_so_below_issue_9

FIVE HAIKU

The dawn cedes slowly
to the impinging sunlight
birds greet the new day

The great egret lifts
her wings embracing the cloud
the winter sun smiles

on the barren branch
the red-shouldered hawk awaits
her mate and the sun

sandhill cranes wander
along the shore of the lake
looking for nothing

the moon is a cup
waiting for night to fill it
venus sits empty

MORNING SKY

The morning sky
maculate with tiny clouds
scattered about the endless blue,
denied the promised rain.

The wind grew angry
having nothing to propel
through the azure emptiness
and rifled the trees seeking music.

There is nothing to know
on such mornings, no language
needed or permitted, there is only
the sky awaiting the sun’s arrival.

We are invited to watch,
asked to gaze deeply into the void
for great beauty lies within
just beyond the pale of vision.

WINTER?

In the early morning, before
I open the blinds, before
the sun approaches rising,
I imagine the chill enveloping
everything outside, October
slipping quickly toward
November, to the possibility
of rolling snake eyes, to snow.

Winter always came that way,
unannounced, and at least
by me, unwelcomed, the
last of the crimson, flame
orange and ochre leaves
dragged to the earth
and buried ignominiously.

But I know when I do
open the blinds, even
while the sun is still in
its celestial witness protection,
I will see the shadow
of the palm trees and know
that here we measure winter
on a wholly different scale.

CECI N’EST PAS

This morning the sky
is a painting by Magritte
as it is most days, no title
Ceci n’est pas un ciel.

The birds rise from
the wetland as Escher
would imagine them,
the small wetland
once a place that
might be painted by
Monet on a day when
he cared nothing
for water lillies, but now
a jungle of Gauguin.

We wait for the return
of the flocks as the sun
makes its retreat
and imagine again
a blazing sky over Arles.

WETLAND HAIKU

Beside the still pond
dragonflies hover lightly
senbazuru dawn

The Great Egret stares
the still pond returns his stare
dawning sun laughing

Clouds swallow the moon
moorhens chanting their vespers
sleep overtakes us

A dragonfly sits
waiting for us to take wing
gravity says no