an old writer and his words

  • RINZAI’S TITLELESS MAN 鐵笛倒吹 語十七

    If you come upon both beggar and nobleman see neither wealth or poverty, smell neither the fine rosewater or the crying need of a bath, hear neither the ravings of one or the philosophy of the other, taste neither the fine curry of the moldy bread crust, feel neither the tattered rag or the purest…

    Lou Faber

  • NANSEN’S NOTS 無門關 二十七

    What can you teach of Dharma? Nothing can be taught Dharma must be learned in not mind seek not-Buddha find no thing. A reflection on Case 27 of the Mumonkan (Gateless Gate)

    Lou Faber

  • A MISTAKE IN SPEAKING 無門關 三十九

    When you speak the words of the Buddha you are lost. Light is everywhere in silence but the tongue must hide in the dark of the mouth. Buddha’s words are flowers unfolding in the dawn by the side of the still pond, the eyes hear the song and respond in silent chorus. A reflection on…

    Lou Faber

  • WHERE?

    The moment you are certain that you know where you are going is the precise moment at which you become totally lost. The moment you realize that you have little idea where you are and none about where you will end up is when you found yourself. At this moment you are here which was…

    Lou Faber

  • SEKIKŌ’S SHORTCOMINGS 正法眼蔵 語十

    If you have no earlobes there will be nothing at all to hear. If he has no eyes, it is you who grow blind and your silence can drown his ceaseless tongue. The stick speaks louder than you both. A reflection on Case 50 of the Shobogenzo (Dogen’s True Dharma Eye)

    Lou Faber

  • EVERYWHERE BUT HERE OR THERE

    It is odd, when you stop and think about it, that our sense of place is dictated by places other then here. For centuries we were the center of the universe, and all celestial bodies moved around us — without us, no movement, but if t here were no suns, moons, planets or stars to…

    Lou Faber

  • HOJU TURNS HIS BACK 鐵笛倒吹 七十二

    If a beggar approaches do you turn away from him. If a rich man calls to you, do you receive him openly. How do you tell them apart? If a poor thief in fine, stolen silks stands before you what do you offer in welcome, and what for his battered victim now wearing the thief’s…

    Lou Faber

  • RINZAI PLANTS A PINE 鐵笛倒吹 十八

    If you have a seed in your pocket what will you do with it? Even a small seed planted carefully in the middle of a forest may take hold and grow. Tamp the soil with your toe three time, three times again secure in knowing this tree will never provide you shade. A reflection on…

    Lou Faber

  • GYOZAN’S OBJECTS 鐵笛倒吹 二十七

    If a thousand objects are arrayed before you what will you do, what do you call them? A sphere has no edges, I can reach through a cloud. Why would I try to cut a moment in two, or stuff a cloud in my pocket. A reflection on Case 27 of the Iron Flute Koans

    Lou Faber

  • REFLECTIONS

    An elk stands at the edge of a placid mountain lake and sees only the clouds of an approaching winter. A black bear leans over the mirrored surface of the lake and sees only the fish that will soon be his repast. The young man draped in saffron robes looks calmly into the water and…

    Lou Faber