an old writer and his words

  • THE MIDDLE WAY

    George Harrison said that if you don’t know where you are going, any road will take you there, and on reflection it was obvious he was correct.. Today, rising from the cushion, the four vows recited, Buddha put back on his small altar, Harrison’s words echoed loudly for he understood in a moment what it…

    Lou Faber

  • YANG YIN THERE

    It’s the difference between anthracite and lignite he said with his sort of all-knowing smirk. Quite to the contrary, she snapped back, it’s the difference between pahoehoe and aa. He clearly wasn’t pleased, those examples are like night and day and you’re in the dark. Only you can’t begin to tell between makai and mauka,…

    Lou Faber

  • KEMBO’S TRANSMIGRATION 鐵笛倒吹 六十七

    Awakening in the morning when you first see the sun and the dew resting on the leaf which eye are you using. When you stare into the mirror through what eye do you see, and what eyes stare back at you. When you see the deer lying in the road which eye do you use.…

    Lou Faber

  • MOST WONDERFUL THING 鐵笛倒吹 六十語

    Which is more beautiful, the fragile flower or the stone set in the road? And which is the uglier? The stone, washed in a stream may shine like a diamond, the flower picked soon withers to dust. Each contains beauty each contains ugliness. When you see this you may smile until you feel the blow…

    Lou Faber

  • HOFUKU’S TEMPLE 鐵笛倒吹 語十一

    Standing outside the Temple there is much to see. Enter the Temple zendo prostrate three times before the golden Buddha what do you see? Can you see nothing? Outside the Temple, Buddha inside the Temple, Buddha but only when you see nothing. Outside the mind, nothing, inside the mind, nothing. All Buddha. A reflection on…

    Lou Faber

  • TOZAN’S THREE BASKETS 鐵笛倒吹 四十一

    Tozan said the whole of knowledge can be expressed in a single letter. Hakuun, the great Master set to writing verse. You, who hold the brush with shaking hand, what will you write in answer to Tozan. Think carefully of each stroke and imagine Joshu’s endless smile. A reflection on case 41 of the Iron…

    Lou Faber

  • BALANCE

    It is a precarious balance, really, more and exercise in tottering and hearing than in standing still. Some prefer stasis, others, I included, find it leads inevitably to a loss of energy, to an entropy from which it is difficult to escape. I don’t walk along the edge of the precipice, but I do peer…

    Lou Faber

  • ISAN’S SUMMONS 鐵笛倒吹 三十一

    When the master calls for a novice do you answer? When the inkin bell is struck do you begin or end zazen? As you follow your breath when do you leave your body, and who returns when you next inhale? Search instead for an answer that has no question. Who is the novice now? A…

    Lou Faber

  • LOOKING BACK FORWARD

    Between now and eventually lies all of history. We are unable to see it though it lies in our field of vision. That’s the problem, we only know how to look backward. We are barely able to see where we are. It isn’t that we don’t want to be here, merely that here is difficult…

    Lou Faber

  • ISAN’S I HAVE EXHAUSTED MYSELF 正法眼蔵 四十四

    Approach the master sitting on his seat. The fool will seek answers having slept through the lesson but the wise student will bow silently and retreat having learned all there is and knowing absolutely nothing. A reflection on Case 44 of Dogen’s Shobogenzo (The True Dharma Mind)

    Lou Faber