an old writer and his words

  • MUSEUMS NO MORE

    Travel guides always wantto send me to museums of art,of history, of culture, of science.I appreciate their guidance but Iwould prefer to spend my timevisiting zoos, looking at animalsand ignoring the placardspainfully detailing what I am seeing.I have been to countlessmuseums and while each offeredbeauty and knowledge, eachdemanded that I needed to learn,to interpret, to…

    Lou Faber

  • OMOTESANDO

    When I would visit TokyoI often went to Shibuya where,on the second floor of an old buildingon Omotesando, a block printmerchant shared space withsouvenir vendors and artists.I would pick out prints that werereasonably priced, imagingfor a moment the were by Hokusaior Hiroshige, although I knew whatthey would cost if I could find them.Still, I’d carefully…

    Lou Faber

  • JUST IMAGINE FOR A MOMENT

    Imagine that they could see youbehind the velvet ropes, staringat them slack-jawed, at the opulenceand the excess that was ancient Egypt.We stare at the sarcophagi, at the goldthrone chair and jewel encrusted gods,imagining ourselves able to affordluxury on that remarkable scale,we more the slaves out of sightbreaking our backs to build the tombsthat would someday…

    Lou Faber

  • ARTISTIC SENSE

    Perhaps the moon should learnwhat so many artists know,that it is more enticingif the body is not blatantly displayed.Certainly the fully nude bodydraws the eye, but showing less,a hint of flesh, of thigh or breast,leaves the viewer wanting more.But the moon cannot seem to helpherself, always the slow stripteaseuntil she is fully bare and thenembarrassed…

    Lou Faber

  • GALLERY

    I have visited countlessart galleries in this countryand a few in Europe as well and Ialways stop and stare at the masters’still life paintings, how the lightplays off a piece of fruit, howthe glazed porcelain on a ewerseems to make the reflected lightinvite you to dance with it.I wanted to sip tea from a china…

    Lou Faber

  • CAMERA OBSCURED

    People stand in awelooking at what Ansel Adams’camera saw on those magical days.I am an outlier, for althoughI am struck by the beautyHis photographs offer my eyes,the stark play of light and dark,how shadows define a world,that is not what I wishthat I could see, for I wantnothing more than to seewhat Ansel Adams sawwith…

    Lou Faber

  • PLACE NAME HERE

    Among all of the so-called artswriting does stand alone.How often have you seen arthanging on gallery wallsand look at the card next to itto see what the work is calledand find that all too uniquitous title,UNTITLED, as if the artist’s powerof language escaped into his brushes.And let’s not talk about composer’swhose work is later numberedand…

    Lou Faber

  • GALLERY?

    I have come to realize that I am,and have been for many years,an abettor of criminal activity.it was always intentionalbut also involuntary,and, I must add, lacking anymens rea whatsoever. In my defense I would assertthat I was defrauded as well,fleeced by someone offeringculture, albeit some of itpurchased, a few clever forgeries,some bought from those whose…

    Lou Faber

  • VINCENT

    When we visited Arleswe expected to see paintingsof wildflowers, night skies,all the images that Van Goghleft as his legacy. We did see posters,postcards and booksbut not a single paintingis to be found by the masterwhere he painted. We at least hopedthe night sky from the boatwould be somethingto remember alwaysbut clouds over Arleslook much the…

    Lou Faber

  • POSER

    For unknown reasons Iwas told I was going tosit for a portrait by a wellknown local artist. It was a gift, so I hadlittle choice but to accept,and so I sat on a chairfrozen in place. I asked how long itwould take and he replied“Not more than four sittingsand then I can go to work.”…

    Lou Faber