It was scrawled on the back of a grocery receipt, barely legible. Charles H. Boustead Tunnel, fryingpan river. The river is lower case, its capitals dangling by serifs in one of the tunnel grates that constricts the water’s flow.
Outside the full moon is ensnared in the gnarled, barren branches of the white birch. She struggles vainly to break free, but the maple wraps its limbs around her. It is only when she retreats into the earth, covers herself over, that the trees cede their grasp.
When Luna curls against you, is she chilled from the night sky, or does she reflect the warmth of the distant star? Does she press against the shredded satin, wrap herself in the fringe of your kittel? And when she tires of you, does she leave by the rotting, split pine boards through which you, bit by bit, return to the soil to nurture her captor?
I stand outside, shivering under a full January moon. Fading impressions of you are shunted into the tunnel of my memory. I never know where or when they will emerge, what they have gathered, what has been lost along the way. I hope for their return, regardless of form. The Boustead Tunnel carries about 54,000 acre feet of water annually from the river to the Turquoise Reservoir.
Even when I was briefly in Edinburgh I dreamed of walking the streets of Lisbon or Porto looking into the faces of older men and wondering if this one was my father. the father I had never seen, never known. Was the one my Jewish mother described in detail to the social worker who took me from her shortly after she gave me life. It is many years later, now, my mother has a face, discovered in the twisting path of a double helix, good West Virginia Jewish stock, Lithuania left far behind. I may someday visit Lisbon, I hear it is a lovely city, but the faces will all be alien to me, and there I will dream of my day touring the Highlands of Scotland, the Isle of Skye, and which of the McDonald’s and McAllister’s might be kin and which Tartan I can now rightfully claim is my own.
What I want to tell her is this: it’s fitting, perfectly, that you who so assiduously hid the past from me, your past and mine, now bars your entry, refusing you even the briefest glimpse. You want so to grab onto it to have it carry you to a place removed from here by time and distance, where it is warm and most of the time, cozy. It is also fitting that you call out his name, as though he was in the yard pruning a tree, delaying dinner, the same he you cursed glad to have him out of your life and out of your house, you wished him dead so that you might call yourself a widow and share condolences with the other black draped women. You never mentioned the six months of foster care or the little sister who came and went so quickly when he had the audacity to drop dead on you one morning. This is what I would say to her, this is the curse I would place upon her but she no longer recognizes me, I am no more than a well dressed orderly come to remove her lunch tray.
I have fond memories of a childhood I never lived. Those are the best childhoods from for they reflect life as you meant it to be lived. In this life my father is in his late nineties, still smiles when he sees me, not didn’t clutch his chest sixty-one years ago, didn’t fall to the floor, didn’t leave me half an orphan again, doesn’t live only in the periphery of my dreams.