AMERICAN IDOL

He was well on his way
to achieving his dream
of being a musical idol.

He had long since mastered
the air guitar, could shred
with the best, Hendrix,
Clapton, and he had conquered
the piano fingerings of most
of the Billy Joel Songbook,
his paper keyboard worn flat.

Clarence Clemons was proving
a serious challenge, the air sax
was by reputation the most
difficult of all the instruments.

He could taste success, and all
he now needed to do was
convince his parents to buy
an instrument and pay for lessons.

READY, FIRE, AIM

He should have known
that the day was doomed
from the moment he woke
to see his alarm clock in pieces
on the floor by his bed, the cat
grinning at him from the place
where the clock had always sat.

Finally arriving at the office,
he was no sooner at his desk
when the fire alarm bell rang.
Within moments of reentering
after the all clear, it rang again,
and his own, very private
Chinese fire drill was under way.

The day calmed until, after lunch,
the Regional Manager arrived,
gathered everyone at the great
round conference table, and
demanded to know who
had made a simple error,
and watched as the inevitable
circular firing squad began.

NANSEN’S NOTHING SPECIAL

Her greeting
is met with silence.
His greeting
is met with silence.
Your touch
is met with greeting.
You want to fly,
curse the Earth
for holding you,
while it is your mind
that is your
only anchor.

A reflection on case 87 of the Shobogenzo, Dogen’s True Dharma Eye Koans

PENNED IN

He stares at the collection
of pens crammed tightly into
a coffee mug whose handle
had long since broken away.

He knows some are dead,
awaiting a proper burial,
following a brief memorial
service paying homage
to their illustrious past.

He is certain that one
or more is secretly harboring
the poem or story that he
has been meaning to write,
the one that the journal
on the desk has been waiting
its entire lifetime to receive.

REAL TIME

He can spend hours on the wooden bench in the small square in the center of the village. There he is but a statue, staring up at the giant clock face that looms over the square from the turret of the Village Hall. He likes to watch the long hand, arrowlike, make its slow, but inevitable movement, circling the blank outward gaze of the numerals. He does not care much for time, has too much of it some say, too little left, he knows. But here, as he stares fixedly, it stops. There is no motion in that instant, there is only the instant of time. It is no longer real, it is a thought lost or forgotten, and there is only the single moment in which he sits on the wooden bench in the center of the village.

MIX TAPE

There is an art
to creating a mix tape,
more so to day, when
tape is usually only
found in museums
and antique stores.

Then you chose carefully
aware of the sonics,
aware of the limits on time,
weaving a musical tapestry.

You can do a mix CD
but everyone knows
that with tape you listened
all the way through,
for fast forward was only
for getting to the end
of the cassette to play
the B-side, and CD’s
have no B sides to play.

POSTDICTIONS

In the beginning there was
a void, stasis, dimensionless.
I am a point, without size
taking form only in motion,
so too the seat on which
I sit on United flight 951
not going from point A
to point B for neither
can exist in motion
transcending time.

Each decision sets
one me on a path, into
a dimension, dimensions
while I tread a different path
and I a third, yet I have seen
the step ahead before
having been on its path
as all random walks
must cross endlessly.
The universe grows crowded
with exponential me’s
creating paths, and so
must expand, until we cross
and in some minuscule
amount contract the cosmos.

Often I seek pain to slow
the pace, or pleasure
to quicken it, always immutable.
I have learned all of this
in my endless search
for my paradoxical twin
who prefers the accelerated
pace, moving as quickly
as possible, who looks
younger at each intersection.
Good night Albert.

First Appeared in Afterthoughts (Canada), Vol. 2, No. 4, Autumn 1995.

APSE SOLUTION

One downside of growing up
Jewish is that you never meet
an angel or a church mouse

I have met angels, although they
were in the guise of Bodhisattvas,
and there are a surprising number
if you look carefully enough.

As to church mice, I do have
to wonder why they are symbolic,
for they have vast homes,
direct access to God, or
the Bishop or synod, and if
they aren’t tapping into
the collection plate,
they aren’t real mice, and as
for starving, do they keep
the communion supplies
in a safe, for if not, the mice
are certainly never go hungry.

CAT PEOPLE

We spent one morning
of our visit to Key West wandering
around Hemingway’s home.

The six-toed cats seemed to realize
that we were cat people, came
over to us, took us aside
for a petting and conversation.

He was a tough old goat,
they said, or so our ancestors
told itm and we cannot begin
to understand why you,
cat people, so obviously intelligent
would pay to see the old
typewriter he hated, because
the S and D keys always stuck

We scratched them behind
the ears, sat by the empty pool,
and waited for a literary
inspiration we knew was
never included in the ticket.

GYOZAN CAN’T SAY IT

The true artist,
when asked
to draw a perfect tree
will lead you to the garden
and have you sit
under the great maple.
The true master
asked to speak of Dharma
will silently
face the wall
in zazen.

A reflection on case 118 of the Shobogenzo, Dogen’s True Dharma Eye Koans