I saw the sun
rise this morning
over Mt. Hood, the
glow that announced
to the horizon its approach.
There should be
in the life of every man,
every woman, that moment
when seeing dawn
lift, peel back the shroud
from Mt. Hood causes the sudden
intake of just that much extra breath
that like the sky’s morning flame
we are consumed by the moment.
The thing with mirrors is
that they always want
to tell the truth
where we what is lies,
or at least a little fibs,
some wrinkles smoothed,
hair now a color the mirror
is more than capable of reflecting, but
mirrors don’t bend
to our wishes, and when
they do, at carnivals mostly,
the result varies between
horror and hilarity.
He said, “I survived the war,
was up to my armpits in water
wading through the night
through the rice plants
that would never bear grain
once we called in the orange.
I walk through minefields,
the noise a deafening silence
since the only sound that mattered
was the click that shouted death
You think Ii have issues now
and in your mind I certainly do
but you my issues didn’t go away
like Jamie’s, he heard that click and a moment
later his issues were gone, and the moon
was painted blood red that night
and it inhabits my dreams still.
Come before the Master.
If he turns from you
and faces the wall
he honors you.
If the Master enters your room
and you turn to the wall
you will deserve his stick.
As you cannot sit
in the Master’s seat
he may not sit in yours,
but all seats are one seat,
no wall is all walls
and neither of you
should give a damn.
A reflection on Case 56 of the Iron Flute Koans
Two men, having reached
an indeterminate age, sit on old chairs
outside the small town grocery, it’s
neon beer sign half, flickering, around
the corner from the bank on main street.
One, plaid shirt tucked in coveralls,
one bib strap unbuckled, leans back,
takes a turn on his long neck, his cane
propped against his leg, thankful for the rest.
The other, denim shirt bleached in spots,
threadbare in others, pours the remains
of a bag of potato chips into the plastic bowl
resting atop the empty 50 gallon drum that is
at this moment a table, later a platform
for the checkerboard both are not
drunk or bored enough to bring out.
He opens a beer on the edge of the drum
and both look up smiling at the clearing sky
and a Saturday afternoon in the
only America they have ever known.
My mother no longer speaks to me. It is not that she has been dead two years, that passage would hardly be an impediment for her. I would like to think she has nothing left to say, having said it all so many times in the past. Some say we will see each other again in heaven, but it is unclear which, if either of us, will be there, and I don’t look forward to once again being a child who can do nothing quite right enough for her, yet again, and for eternity, this time.
He says, “I write songs
without music, my head
Is a libretto warehouse.”
She says, “You string words
like random beads, no
two strands the same.”
He says, “Symmetry is
for those with linear minds
who can’t see out of the tunnel.”
She says, “Dysentery, verbal,
is a disease to be avoided
particularly by poets.”
He says, “I’ll sing a song
for you if I can only
find the right notes.”
She says, “Fine, but know
it is the silent space between
the notes were the music truly lives.”